A crippled puppeteer rescues an abused young boy and turns the boy into a great ballet dancer. Complications ensue when, as a young man, the dancer falls in love with a young woman the ... See full summary »

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Cast

Complete credited cast:
...
...
Charles Butterworth ...
Donald Cook ...
Luis Alberni ...
Sergei Bankieff
...
Sonya Preskoya
André Luguet ...
Count Robert Renaud (as Andre Luguet)
...
Fedor as a Boy
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Storyline

A crippled puppeteer rescues an abused young boy and turns the boy into a great ballet dancer. Complications ensue when, as a young man, the dancer falls in love with a young woman the puppeteer is also in love with. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama | Horror | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

7 November 1931 (USA)  »

Also Known As:

El genio loco  »

Company Credits

Production Co:

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Technical Specs

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Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The play opened in Great Neck, New York, USA in 1929, and never made it to Broadway. See more »

Goofs

At breakfast with Fedor, Nana has her arms crossed on the table, then has one hand up to her chin in close-up, then in the next shot both arms are crossed on the table again. See more »

Quotes

Vladimar Ivan Tsarakov: I will create my own being: that boy! That boy will be my counterpart, he shall be what I should have been... I will mold him, I will pour into him my genius, my soul. In him all my dreams, all my ambitions will be fulfilled -- the greatest dancer of all time!
See more »

Connections

Referenced in Taxi! (1932) See more »

Soundtracks

First Movement
(uncredited)
from "Symphony No.4 in F Minor, Op.36"
Written by Pyotr Ilyich Tchaikovsky
Played as background music when Fedor returns to Ivan
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User Reviews

The story of the story
30 September 2003 | by (Toronto, Ontario, Canada) – See all my reviews

This film is an ideal companion piece to Barrymore's other mad manipulator "Svengali". It is just as eerie but unfortunately all but unavailable on the video market. I saw it one time on the late show and it stayed with me all my life. It is really an exaggeration of the relationship between impresario Diaghilev and his protégé Nijinski but it also inspired (is there a better word?) the Powell-Pressburger ballet epic "The Red Shoes". Funny how one story gets around...


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