6.5/10
243
12 user 4 critic

Lonely Wives (1931)

A lonely husband, whose wife has been away, hires a look-a-like impersonator to fill his place and fool his mother-in-law while he plays around with a pretty coquette. His wife returns that night and confusion prevails.

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(as Walter De Leon), (play)
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Cast

Complete credited cast:
...
Richard 'Dickie' Smith / Felix, the Great Zero
...
Madeline Smith
...
Diane O'Dare
...
Kitty 'Minty' Minter
Spencer Charters ...
Andrews, the Butler
...
Mrs. Mantel
Maurice Black ...
Taxi Driver
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Storyline

A lonely husband, whose wife has been away, hires a look-a-like impersonator to fill his place and fool his mother-in-law while he plays around with a pretty coquette. His wife returns that night and confusion prevails.

Plot Summary | Add Synopsis

Genres:

Comedy

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Details

Country:

Language:

Release Date:

22 February 1931 (USA)  »

Also Known As:

Esposas solitarias  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

All 3 actresses lived to be 91 See more »

Quotes

Richard 'Dickie' Smith: [pouring brandy into glass] You're quite sure that this is fit for a lady?
Andrews, the Butler: That will fit anybody, sir.
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Soundtracks

Baby Feet
Composer unknown
Sung by Maude Eburne
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User Reviews

 
A mildly funny sex farce involving mistaken identity.
29 December 1998 | by (Pine Grove, California) – See all my reviews

I chuckled more than once at the convoluted goings on in this farce filled with sexual innuendos. Edward Everett Horton is good in his double role as both a famous womanizing lawyer called Richard and a vaudeville impersonator called Felix. Felix wants to add Richard to his list of people he impersonates and would get permission only if he can fool Richard's mother-in-law, Maude Eburne, for a night. Meanwhile, Richard goes to meet Laura La Plante about getting a divorce from her husband, who happens to be Felix, although Richard doesn't know it. And Richard's wife, Esther Ralston, comes home from a vacation early and spends the night with Felix, disguised as Richard.

I was impressed with the smooth special effects when both Richard and Felix appear onscreen at the same time. It was done, of course, by a double exposure, but the timing of their conversations was perfect. As the befuddled butler, Spencer Charters overplays his role when he gets conflicting commands by both Felix and Richard and it was a bit tedious and predictable. The rest of the cast was fine. This is a good example of a pre-code sex farce.

The origins of the story was a 1912 German vaudeville act called "Tanzanwaltz" by Pordes Milo, Walter Schütt and Dr. Eric Urban. Although A.H. Woods is credited onscreen as the writer of the 1922 play on which this movie is based, contemporary reviews list him only as producer, with Walter De Leon and Mark Swan as the English language adaptors.


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