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Limite (1931)

 -  Drama | Romance  -  October 1931 (UK)
7.4
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Ratings: 7.4/10 from 756 users  
Reviews: 5 user | 6 critic

Three people sail aimlessly while remembering their past.

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Title: Limite (1931)

Limite (1931) on IMDb 7.4/10

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Cast

Complete credited cast:
Olga Breno ...
Woman #1
Tatiana Rey ...
Woman #2
Raul Schnoor ...
Man #1
Brutus Pedreira ...
Man #2 (as D.G. Pedrera)
Carmen Santos ...
Woman eating a fruit
Mario Peixoto ...
Man sitting at the cemetery
Edgar Brasil ...
Man asleep in the theatre
Iolanda Bernardes ...
Woman at the sewing-machine
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Storyline

In a drifting small boat, two women and a man recalls their recent past. One of the woman escaped from the prison; the other one was desperate; and the man had lost his lover. They have no further strength or desire to live and have reached the limit of their existences. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

Country:

Language:

Release Date:

October 1931 (UK)  »

Also Known As:

Limit  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

| (sound-on-disc)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

First and only film written and directed by 'Mário Peixoto'. See more »

Connections

Referenced in What Are You Looking For? (2008) See more »

Soundtracks

Notturno (Nocturne)
from String Quartet No. 2 (1881)
Composed by Aleksandr Borodin
See more »

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User Reviews

 
Limit
13 April 2008 | by (Berlin, GER) – See all my reviews

'Limite' is a great, poetic, inspiring mystery ride. I dare to say that it is the visually best film I've seen from that era. The slow, unique pace and the repeating structure of its main musical motif, Erik Satie's theme 'Gymnopédie', intensify the suggestive effect of the immensely beautifully captured images in a magnificent montage and unfolds one of the great philosophical questions of the 20th century: the unsolvable contradiction between transience of human life and the eternity of the universe. The story is hard to access, because Peixoto almost always works with flashbacks and rare title links, so we have to solve the puzzle for our own. Nevertheless, it's the imagery that is so fascinating, full of suicidal feelings, desperateness, tristesse and wonderfully compositions of nature - trees, foggy landscapes, waves. An unparalleled cinematic experience I will not forget and of course highly recommended.


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