Cafe entertainer Ivy Stevens falls for sleazy salesman Howard Palmer and jumps from a bridge when he dumps her. Saved by Salvation Army officer Carl, Ivy reforms and joins the Army. When she runs into Palmer she falls for him all over again. Carl beats up Palmer and gives a speech to Ivy which induces her to return to the Army and to Carl. Written by
Ed Stephan <firstname.lastname@example.org>
If you love him, and you want to go back to him, I'm not the one to set myself up as a guide. I just want you to be happy - whatever you do - but if you're going back because of what you've done, you don't need to, Ivy. We all stumble. All we can do is pick ourselves up again and go on and on and on until we find ourselves through our own mistakes. It won't make any difference to me, Ivy. I want you to know that...
[He turns to go but stops]
I guess you know where I'll be if you want me.
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This may not be the greatest of the Crawford/Gable pairings, but their affinity for each other is obvious, and as always what is unsaid between them speaks volumes about their off-screen relationship. The film's other highlights include Joan's singularly eccentric "farmer" dance, for which she sports a false nose and beard! This was surely the inspiration for the Soggy Bottom Boys' "disguises" and dancing in the climax of 'O Brother Where Art Thou?'. In any event, the phenomenal originality of her performance provides another dimension to Crawford's enduring film legacy.
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