Susan Trexel is a wealthy socialite, who while vacationing in Europe undergoes a religious transformation. On her return to America, Susan takes on the task of spreading her new found ... See full summary »
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
Oxford Professor Richard Myles and new bride Frances are off on a European honeymoon. It isn't your typical honeymoon though, for they are on a spying mission for British intelligence on ... See full summary »
Philip Sutherland is an American news writer stationed in Moscow since the war; while there he falls for a Russian ballet dancer, Marya Lamarkins, who, he finds out, learned English because... See full summary »
Cafe entertainer Ivy Stevens falls for sleazy salesman Howard Palmer and jumps from a bridge when he dumps her. Saved by Salvation Army officer Carl, Ivy reforms and joins the Army. When she runs into Palmer she falls for him all over again. Carl beats up Palmer and gives a speech to Ivy which induces her to return to the Army and to Carl. Written by
Ed Stephan <email@example.com>
Marjorie Rambeau, who played one of Crawford's fellow showgirls would play Crawford's mother 22 years later and receive an Oscar nomination for her role in a musical film called "Torch Song," ironically, the title of the original story "Laughing Sinners" is based on. See more »
If you love him, and you want to go back to him, I'm not the one to set myself up as a guide. I just want you to be happy - whatever you do - but if you're going back because of what you've done, you don't need to, Ivy. We all stumble. All we can do is pick ourselves up again and go on and on and on until we find ourselves through our own mistakes. It won't make any difference to me, Ivy. I want you to know that...
[He turns to go but stops]
I guess you know where I'll be if you want me.
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This may not be the greatest of the Crawford/Gable pairings, but their affinity for each other is obvious, and as always what is unsaid between them speaks volumes about their off-screen relationship. The film's other highlights include Joan's singularly eccentric "farmer" dance, for which she sports a false nose and beard! This was surely the inspiration for the Soggy Bottom Boys' "disguises" and dancing in the climax of 'O Brother Where Art Thou?'. In any event, the phenomenal originality of her performance provides another dimension to Crawford's enduring film legacy.
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