Ollie is running for mayor when an old flame (Mae Busch) tries to blackmail him with a old photo ('just the same old apple-cheeked boy'). Stan's attempts to help Ollie keep the blackmailer ... See full summary »
On their way to the train station with their wives for a vacation in Atlantic City, Stanley and Oliver get a phone call from a fellow lodge member who tells them a surprise stag party in ... See full summary »
James W. Horne,
Oliver's plans to marry his hefty sweetheart go awry when the girl's father gets a load of her intended groom. They then elope in a tiny car much too small for their combined dimensions, ... See full summary »
In the dead of winter, street musicians Stanley and Oliver aren't getting much business in a run-down neighborhood, and then their instruments are smashed in a run-in with a formidable ... See full summary »
After getting lambasted by the Police Chief for the 42 unsolved robberies committed on his watch, Officer Kennedy bamboozles vagrants Stanley and Oliver into a plan to recover his ... See full summary »
Door-to-door greeting card salesmen Stanley and Oliver call upon Mrs. Pierre Gustave, a woman distraught over her husband's neglect. They agree to her plan to reclaim her husband's ... See full summary »
Stan and Ollie give evidence which convicts vicious gangster Butch. They plan to leave town and advertise for a traveling companion to share expenses. Butch's girl replies to the advert and... See full summary »
Barbershop owners Stanley and Oliver both answer a personal ad from a rich widow seeking a husband. Oliver hides Stanley's reply and mails just his own. When Oliver receives a proposal of ... See full summary »
Ordered out of town by angry Judge Beaumont, vagrants Stanley and Oliver meet a congenial drunk who invites them to stay at his luxurious mansion. The drunk can't find his key, but the boys... See full summary »
It looks like the boys won't need to fish off the end of the pier to feed themselves any longer when Stanley's rich uncle Ebenezer Laurel dies, leaving a large estate. But when he and ... See full summary »
Stanley and Oliver try unsuccessfully to keep their pet dog, "Laughing Gravy" hidden from their grumpy landlord, who throws the pooch out into the snow. The rescue and further attempts to hide the dog result in mayhem, which is interrupted by the arrival of a registered letter informing Stanley that he's inherited a fortune from his rich uncle. There's one catch, though: he has to renounce his friendship with Oliver, who the uncle characterizes as a "nitwit." Written by
Paul Penna <email@example.com>
This is probably one of the more well-known of Laurel & Hardy's shorts. I remember when I was a kid this one was shown all the time although without that extra reel, which wasn't re-discovered until 1985. They don't seem to show Laurel & Hardy shorts on TV anymore which is a real shame; there's a whole generation growing up knowing little about the duo.
In this one they try to conceal their little dog Laughing Gravy (possibly the only dog in cinema history to have a film named after him rather than the other way around) from their pint-size landlord, the permanently grumpy Charlie Hall. Of course, they're unsuccessful and when the landlord pitches the dog out into the snow, Ollie braves the elements to smuggle it back in. As always, the boys complicate things by attempting to haul Ollie up the side of the building using a couple of sheets tied together with inevitable results. Although the snow is obviously fake and the location is a set, the film really does succeed in making you feel the cold as the boys slide around on the roof in their nightshirts.
There isn't that much dialogue in this film or at least in the first twenty minutes nearly all the humour is physical, punctuated by a number of long despairing looks into the camera from Ollie. Stan stares at the camera too on occasion, but you can tell there isn't much going on inside his character's head. He looks at the camera and you can almost hear the cogs creaking as they turn.
The laughs are pretty solid and arrive at fairly regular intervals until that final reel when things change entirely. It's not difficult to see why it was cut from the original because it just bears no relation to the rest of the film other than the fact that it is a protracted build up to a decent punch-line involving the dog.
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