After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs ... See full summary »
Haines plays the role of a festive British nobleman, for whom a marriage has been arranged by his relatives. He goes to a European Summer resort and poses as a gigolo to meet the girl ... See full summary »
C. Aubrey Smith
Cary, Shep, Bill, and Francis are pilots who have just, and only just, survived the First World War. They linger in Europe in the aftermath, drinking and ostensibly having fun, but pessimistic and flip about their futures, as each feels himself somehow lost and dead inside as a result of the horrors he's experienced. They encounter a beautiful and vivacious girl, Nikki, and adopt her, not romantically but as a sort of mascot and light around which they can hover in hopes of regaining a sense of warmth and life. Nikki does her best to reinvigorate her new friends, but despite the seeming lightheartedness of their escapades, the shadow of the war can never be dispelled. Written by
Jim Beaver <firstname.lastname@example.org>
During the sequence in the bullfight ring in Lisbon, the footage of the actual bullfight is stock filmed during the silent era at the then-standard speed of 16 frames per second. Spliced into a sound film and projected at the sound-standard 24 frames per second, it looks unnaturally fast. See more »
German Director had just segued past the shores of The Statue of Liberty from his native Germany when he made this movie, thus its European movie. Some plot-driven cineastes may argue that nothing happens in this movie but that is exactly the point. It is what is potently called a character study in the grand tradition of "new wave". Richard Barthelmess headlines a cast of five friends who after the end of WWI, disillusioned bythe events and their injuries wonder aimlessly, lolling and cajoling in Paris. They run into a female character played by Helen Chandler who is much like them, except she has hope for life. The first act or first hour has the characters chatting away at night clubs, cafes, nightspots and anywhere else delivering some of the wittiest remarks I've ever heard on camera. The relationships though are set up by an opening montage which is pure silent cinema with its MTV-style cutting and reliefing of images in juxtapositionIt sets the tone for the rest of the movie. The dark shades worn by the one of the characters, day or night adds to the phantasm of the whole scenario. A love story emerges between Helen and Richard and not so unexpected tragic occur before the end. Someone, earlier has noted a similarity to Hemingway's "he lost generation" novella, THE SUN ALSO RISES which was made into a fairly staid affair in the fifties with Ava Gardner, but this make no mistake is much better and one of the unknown gems of thirties cinema.
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