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The Lady Refuses (1931)

Passed  |   |  Drama, Romance  |  8 March 1931 (USA)
5.9
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Ratings: 5.9/10 from 134 users  
Reviews: 6 user | 3 critic

A wealthy London nobleman hires a pretty but poor young girl to distract his playboy son from marrying a golddigger. Complications ensue when the girl and the father begin to fall for each ... See full summary »

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Cast

Complete credited cast:
...
John Darrow ...
Russell Courtney
Gilbert Emery ...
Sir Gerald Courtney
...
Berthine Waller
...
Nikolai Rabinoff
Edgar Norton ...
Dobbs - Sir Gerald's Butler
Daphne Pollard ...
Millie - Apartment House Maid
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Storyline

A wealthy London nobleman hires a pretty but poor young girl to distract his playboy son from marrying a golddigger. Complications ensue when the girl and the father begin to fall for each other, and things get even more complicated when the son declares his love for her, too. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

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Language:

Release Date:

8 March 1931 (USA)  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Quotes

[first lines]
First Bobby: [a dark, foggy street in London. Two bobbies are observing a young woman walking along furtively] New one, isn't she Albert?
Albert, Second Bobby: Must be, or she wouldn't be out on a night like this. No weather for a dog.
First Bobby: Nor for no cat, neither!
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Soundtracks

Three Little Words
(1930) (uncredited)
Music by Harry Ruby
Played as dance music at the nightclub
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User Reviews

 
The independent woman before she was silenced
29 November 2006 | by (United States) – See all my reviews

I agree with the other reviewers: This isn't a great movie because it is too stage bound, the plot is far-fetched, the London setting unconvincing (why not New York?), and some of the acting is wooden or uneven. However, John Darrow is convincing as a talented young man a little too enslaved by his passions, and he is sexually alive and compelling. Betty Compson is great - hers is the performance that make this and so many other pre-Production Code movies worthwhile. She has no shame about who she is (nor has Margaret Livingston, who appears to have stepped out of Valley of the Dolls), and her last speech earns the movie a 7 in my book. She is completely liberated, though she knows how to and does pay lip-service to conventional morality. It is this combination, the lip-service combined with the complete independence, that makes this pre-Production Code movie (among many) so radical. Her final scene eloquently gives the lie to conventional morality and left me agape. No need for the 1960s-lib genre with movies like this.


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