On her way to meet her boyfriend, Sugiko is hit by a car and hospitalized. When she doesn't arrive at the meeting place, her boyfriend believes she has betrayed him, and he returns to his ... See full summary »
19yo girl loses husband in war. Bombing destroys his family's shop and the widow stays to rebuild it as the rest of the family flee and runs it for 18 years out of love for her dead husband... See full synopsis »
What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved her money, and has become a wealthy money-lender, spending her days cold-heartedly collecting ... See full summary »
Kiyoshi is a brooding young man who treats women solely as objects. Makoto is a young woman who is just reaching her sexual awakening. She and her friends accept car rides from middle aged ... See full summary »
Emi Ota and her friend Okiku stay briefly at a mountain inn and then return to Tokyo. Later, Nanmura, a soldier on leave, steps on an ornamental hairpin in the public bath at the inn. Emi ... See full summary »
The businessman Ogata Shingo works with his son Shuichi, who is his secretary, and they live together in the suburb with their wives Yasuko and Kikuko respectively. Shuichi has a love ... See full summary »
This, the earliest surviving Naruse picture, is not the sort of woman's picture he is best remembered for directing in the 1950s and 1960s, but a comedy about a timid insurance agent, henpecked at home, who can't seem to get ahead, even with his children watching. Thematically it is a great deal like Ozu's early comedies, but while Ozu's attitudes and rhythms are modern and American in this period, like a Japanese Leo McCarey, Naruse's choices seem much more foreign to this modern American viewer: a talent of Japanese, rather than world cinema. Still, the worries are universal in a modern age, of the wage slave who makes himself ridiculous in order to keep his head above water, and the particularly Japanese take on the themes is refreshing. Ozu is outraged at injustice. Naruse's hero endures.
There is a melancholy air to the cinematography as images and the detritus of a still-industrializing Japan are seen about. The children play around and are shot through unassembled sewer pipes, trains rattle by in the background and a toy plane is a plot point. The hard-working, loyal flunky is in danger of being lost, and only the occasional, graceful tracking shot of him walking with his boy offers any real consolation.
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