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Der Kongreß tanzt (1931)

7.3
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Ratings: 7.3/10 from 302 users  
Reviews: 6 user | 3 critic

Vienna glove-sales-lady Christl falls in love to Czar Alexander. Metternich tries to use this to keep him out of the conferences of the Vienna Congress from 1815.

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Title: Der Kongreß tanzt (1931)

Der Kongreß tanzt (1931) on IMDb 7.3/10

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Cast

Complete credited cast:
...
Willy Fritsch ...
Czar Alexander of Russia (as Willi Fritsch)
Otto Wallburg ...
...
Carl-Heinz Schroth ...
Pepi, his Secretary (as Carl Heinz Schroth)
...
The Countess
Adele Sandrock ...
The Princess
Margarete Kupfer ...
The Countess
Julius Falkenstein ...
The Minister of Finance
Max Gülstorff ...
The Bürgermeister
Paul Hörbiger ...
Heurigen Singer
Boris Romanoff ...
Dancer
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Storyline

Vienna glove-sales-lady Christl falls in love to Czar Alexander. Metternich tries to use this to keep him out of the conferences of the Vienna Congress from 1815. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Plot Keywords:

metternich | czar | uniform | year 1815 | waltz | See more »


Certificate:

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Details

Country:

Language:

Release Date:

25 April 1932 (USA)  »

Also Known As:

Der Kongress tanzt  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

(Klangfilm)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Goofs

At the Vienna Congress held in 1815 the orchestra in a canteen played Franz Schubert's "Military March," which was composed in 1818. See more »

Connections

Featured in Cinema Europe: The Other Hollywood: End of an Era (1995) See more »

Soundtracks

Polovetsian Dances
Written by Aleksandr Borodin
See more »

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User Reviews

 
Amazing
26 December 2005 | by (Belgium) – See all my reviews

Der Kongress tanzt is a German operetta move, but it's not as awful as that sounds. In fact, it's pretty remarkable.

The movie has a wit reminiscent of Lubitsch and scenes that seem almost too dirty for their times (including a very funny almost-s&m scene), which director Erik Charell films with breathtaking virtuosity.

There's a musical sequence where the heroine rides in a carriage to her new villa, filmed in long takes where the camera just tracks and tracks and tracks, through the village, through the market place, through the fields and then goes on as she walks into the house, one of the most visually amazing musical numbers I've seen.

Erik Charell was a Jew whose career was cut short by the Nazi's. He fled to the US, but apparently never made it in Hollywood and now only has two film credits to his name. A tremendous shame because, based on the evidence of this film, he could have been one of the greats.


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