A distinguished English gentleman has a secret life--he is the notorious jewel thief the press has dubbed "The Amateur Cracksman". When he meets a woman and falls in love he decides to "... See full summary »
Harry d'Abbadie d'Arrast
Performer Ken Murray first arrived in Hollywood in 1927 a relative unknown from his then hometown of Kingston, New York. Instead of sending postcards of Hollywood back to his family, he ... See full summary »
Victor Shanley had once been New York City's most-acclaimed crime-fighting, crusading District Attorney and the scourge of the underworld. But the workaholic demands of the job led him to ... See full summary »
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »
Before Ruth Vincent, daughter of a state governor, and state attorney general Robert Sheldon can announce their marriage, the governor is accused of bribe-taking. To avoid the appearance of... See full summary »
A old German mine was split in two after the end of WWI because of the new border. In the Frenchpart a fire breaks out. The German minwers send a rescue group in, helping their French comrades. A group of three old German miners, who where not treaten friendly at a French inn the night before, start their private rescue through an old way, where since 1919 the border is. After all survivors are rescued, there's a big party with speeches about friendship between Frensh and Germans, while border police closes the old way in the mine. Written by
Stephan Eichenberg <email@example.com>
The movie was filmed in the narrow transitional sound ratio of 1.20-1, but, at least in the case of the Janus video release telecast on Turner Classic Movies, has been converted to the standard 1.37-1 ratio with the result that the players' heads are cut off either partially or completely in many of the key scenes. In the final sequence, the heads of the speakers are completely cut off. See more »
German film merged with the style of Italian Neo-Realism
This film, along with WESTFRONT 1918, are my favorite Pabst-directed films and I enjoyed them more than his much more famous films which starred Louise Brooks (such as PANDORA'S BOX). It's probably because both are very similar to the Neo-Realist films that the Italians perfected in the 1940s and 50s. This style film called for using non-actors (just typical folks) in everyday settings in order to create intensely involving and realistic films.
In this case, the film is about French and German coal miners, so appropriately, the people in the roles seem like miners--not actors. The central conflict as the film begins is that there is a huge mine located on the Franco-German border. Instead of one big mine, it is divided at the border and German workers are not welcome in the French mine, despite there being greater unemployment in Germany. This, language differences (illustrated wonderfully in a dance hall scene) and WWI conspire to create a huge rift between the factions--resulting in a WE vs. THEY mentality. Later, an explosion causes a huge collapse in the French and the Germans refuse to sit back and do nothing. Risking their own lives, they prove that there is true comradeship between miners and men in general.
The film is a strong criticism of xenophobia and tried, in vain, to get the German audiences to see the futility of war and hatred. It was a gorgeously moving film with some of the scariest and claustrophobic images I have ever seen. Considering history, though, the film's impact was minimal at best. It's a real shame, as like this one, WESTFRONT 1918, JÁACCUSE (Gance) and ALL QUIET ON THE WESTERN FRONT (Milestone) had great messages of peace and harmony but ultimately were failures in positively swaying public opinion. So, from a historical point of view, it's an amazing and sad relic that is well worth seeing.
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