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The Hot Heiress (1931)

6.2
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Ratings: 6.2/10 from 109 users  
Reviews: 5 user | 2 critic

He is one of the best riveters in the union, but he is still a day laborer. She comes from money, but when they saw each other, it was love at first sight. They date, they dance, they fall ... See full summary »

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(as Clarence Badger)

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(story)
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Title: The Hot Heiress (1931)

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Cast

Complete credited cast:
Ben Lyon ...
'Hap' Harrigan
Ona Munson ...
Juliette
...
Clay
Tom Dugan ...
Bill Dugan
Holmes Herbert ...
Mr. Hunter
...
Margie
...
Lola
...
Mrs. Hunter
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Storyline

He is one of the best riveters in the union, but he is still a day laborer. She comes from money, but when they saw each other, it was love at first sight. They date, they dance, they fall for each other. First, she had to say no to Clay, which was easy. Then she had to bring Hap to meet her parents, which was not easy. Hap is the wrong type, but he dislikes their lifestyle as much as they do his. But if it is to work, he will be the sole support of Juliette and he cares not for her money. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

What would you do with a lover who was an expert at slinging rivets but who bungled his forks at the Ritz?


Certificate:

TV-G
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Details

Country:

Language:

|

Release Date:

28 March 1931 (USA)  »

Also Known As:

Caprichos de Mulher  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Too Good to Be True" was written by Richard Rodgers and Lorenz Hart for the movie, but cut from the final release print. See more »

Quotes

'Hap' Harrigan: [singing Nobody Loves a Riveter] She could love a plumber or someone even dumber.
See more »

Soundtracks

You're the Cats
(1931) (uncredited)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Sung by Ben Lyon and Ona Munson
Reprised a cappella and whistled by Ben Lyon
Played on piano at Juliette's party
Played as background music at the bazaar
See more »

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User Reviews

 
Take it for what it is and you'll find it a pleasant time passer
20 August 2010 | by (United States) – See all my reviews

This film is a Warner's B feature starring Ben Lyon, who never really did find his footing in talkies. Ben was probably best in Hell's Angels as the cowardly brother, Monte. Here he is quite a different sort of character. He's Hap, a riveter on the high rises going up in New York City. Hap is aptly named as he is truly a happy fellow, so happy he's given to singing while he works. Not surprisingly, the occupants of the surrounding apartment buildings do not appreciate the construction noise. Quite surprisingly, they are given to slinging disparaging comments at the workers as if that would actually make them pack up and go home.

One of the occupants of the neighboring apartments, socialite Juliette Hunter (Ona Munson), catches Hap's attention. They have a chance to meet when Hap is busy studying Juliette's finer points as she lounges in her negligee and he misses catching a red-hot rivet which lands in Juliette's bedroom. Hap and buddy Bill run over to retrieve the rivet from the apartment, and sparks fly at first meeting between Juliette and Hap. Hap knows the score, and tells Juliette they would never fit in each other's worlds. However, Juliette thinks they can make it work and meets him for a date that night. Of course, the problem isn't Juliette's broad-mindedness, it's her wealthy parents. Then of course there is Clay, the family-approved suitor for Juliette's hand who attempts to make mischief at every turn for the pair and who is played by the only actor with a sizable role in this film that you may have ever heard of - Walter Pidgeon. Thelma Todd shows up for short periods of time too as one of Juliette's friends, but she has few lines.

This is actually a nice little "feel good" film with light comic moments but nothing laugh out-loud funny, not any real melodrama, and plenty of likable characters. Even the most menacing character in the film - Pidgeon as Clay - really seems quite harmless here. This movie didn't do that well at the box office for exactly that reason - it was harmless light fun. As the Great Depression began to take its toll on the public's movie-going mood in early 1931, they preferred heavier fare such as Public Enemy.


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