Tough Caribbean freighter Captain Sam Whelan engages Sally Clark, a tramp masquerading as a missionary's daughter, to care for an abandoned baby on board his ship. En route to New York, ... See full summary »
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George M. Cohan,
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Tough Caribbean freighter Captain Sam Whelan engages Sally Clark, a tramp masquerading as a missionary's daughter, to care for an abandoned baby on board his ship. En route to New York, ships mate Gatson sexually attacks her. The Captain knocks Gatson overboard in an ensuing scuffle. A romance developing between the Captain and Miss Clark is put to the test in New York after an assault investigation uncovers the girl's questionable past. Written by
Gary Jackson <firstname.lastname@example.org>
Veteran Sloman's long career was winding down in 1931, but he shows a steady hand in this cliché tale of a stern but naive young sea captain (Cooper) who falls for the "entertainer" (Colbert) who, desperate to escape from a South American port, bluffs her way on board as nurse for a foundling baby dumped in the ship's dinghy. Romance takes second place, however, to scenes stolen by the engagingly vivacious and good-natured baby (Richard Spiro), and by the ship's African-American servants, played in Amos and Andy-style cross-talk by Hamtree Harrington and Sidney Easton. (Journeyman director of photography William O. Steiner went on to light a number of films featuring African American entertainers.) HIS WOMAN is a respectable B movie, worth seeing for the almost exaggeratedly tall young Cooper and the detail of Colbert's tramp friends, who lounge around their shared apartment in pre-Production Code undress. Colbert's first appearance, arriving by boat at night in search of a nightclub job, and some byplay in the cantina between Cooper and dancer Raquel Davidovich, who tempts him by kissing a flower, both recall Marlene Dietrich and Cooper in the previous year's MOROCCO, suggesting Paramount may have hoped to trade on that film's success.
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