| Leo Carrillo | ... | Mike Palmero | |
| Constance Cummings | ... | Maria Palmero | |
| Robert Young | ... | Marco Ricca - aka John Smith | |
| Boris Karloff | ... | Tony Ricca | |
| Emma Dunn | ... | Nina Palmero | |
| Leslie Fenton | ... | Joe Pamiero | |
| Murray Kinnell | ... | Jerry Baxter | |
| Ruth Warren | ... | Nellie Weaver - Publicist | |
| rest of cast listed alphabetically: | |||
| Eddie Boland | ... | Willie (uncredited) | |
| Lynton Brent | ... | Joe's Friend (uncredited) | |
| William Burress | ... | Charlie - City Editor (uncredited) | |
| Kit Guard | ... | Driver (uncredited) | |
| Sherry Hall | ... | Party Guest (uncredited) | |
| Fred Howard | ... | Bradley (uncredited) | |
| Frank Mills | ... | Nat - Mike's Henchman (uncredited) | |
| William H. O'Brien | ... | Victor - Mike's Butler (uncredited) | |
| Lorin Raker | ... | George - Party Guest (uncredited) | |
| Elliott Rothe | ... | Benedicto Ricca (uncredited) | |
| Hector Sarno | ... | Luigi (uncredited) | |
| Glenn Strange | ... | Tony's Henchman (uncredited) | |
| Phil Tead | ... | Skid (uncredited) | |
| Walter Walker | ... | LaRusso - Mike's Lawyer (uncredited) | |
| Barbara Weeks | ... | Party Girl (uncredited) | |
| James Wilcox | ... | Don Morley (uncredited) | |
| Harry Wilson | ... | Emmett - Mike's Henchman (uncredited) | |
Directed by | |||
| Rowland V. Lee | |||
Writing credits | ||
| Jo Milward | (play) and | |
| J. Kirby Hawks | (play) | |
| Jack Cunningham | (adaptation and dialogue) | |
Produced by | |||
| Harry Cohn | .... | producer | |
Cinematography by | |||
| Byron Haskin | (photographed by) | ||
Film Editing by | |||
| Otis Garrett | |||
Second Unit Director or Assistant Director | |||
| William G. Crosby | .... | assistant director (uncredited) | |
Sound Department | |||
| George Cooper | .... | sound engineer (uncredited) | |
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| La meglio gioventù | Random Harvest | King of Chinatown | Midnight Court | Giant |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
Some parts of this movie have not survived seventy-five years well, and at times the dialogue limps. Robert Young, as the young lover, speaks in a voice that is annoying in the high register. Constance Cummings is a beautiful young woman and a good actor. Boris Karloff handles his rather small role gracefully, with just an air of lurking menace.
But it is Leo Carrillo, who begins the movie looking like a buffoon and ends the movie as a terrible monster, who owns this movie. I won't give away any details, but the ending, once you realize its inevitability, is a real shocker.
Does Carrillo's performance make the movie worth seeing? Yes, although just barely, and you may need a bit of patience until the movie is worthwhile, but perhaps the mobile camera-work will keep you interested.