A Vienna based acting couple make magic when they perform together on stage. Unknown to the theater going public and despite being married for only six months, that magic seems no longer to...
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A Vienna based acting couple make magic when they perform together on stage. Unknown to the theater going public and despite being married for only six months, that magic seems no longer to translate to their personal life, where they are constantly arguing, even under their breaths during on-stage curtain calls. These arguments stem from the actress' moody behavior, which the actor believes means that she no longer loves him and that she is looking for another man to replace him in her personal life. He believes she even scans the audience for potential suitors, probably being most attracted to the soldier type. Their feuding is at a point where they take pot shots at each other about everything in their lives, even the quality of the other's acting. The actor may have a valid point as the actress has been receiving bouquets of roses of late and a Russian guardsman has been seen hanging around outside their home. The actor knows these things as he is that Russian guardsman (who is ... Written by
This film was first telecast in Los Angeles Tuesday 16 April 1957 on KTTV (Channel 11); its New York City television premiere occurred Monday 2 December 1957 on WCBS (Channel 2); in San Francisco it was first telecast 23 January 1958 on KGO-TV (Channel 7). See more »
[the Creditor has seen through the Actor's disguise]
Your own mother might not know you. Your own wife might not know you. And you might put on all the uniforms and all the whiskers and all the wigs in the world. But, as long as you owe me money, I would know you.
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Although Alfred Lunt and Lynne Fontanne did do several television plays that have been recorded for posterity, The Guardsman represents the only sound filmed record we have of them at the height of their fame as America's leading thespian couple.
Years ago I read a joint biography of the Lunts and the two of them felt quite strongly that live performance was the only true test of acting ability. They also felt it was important to bring theater out to the hinterlands. Rather than be on a sound stage in Hollywood, the Lunts made many road show tours of their Broadway hits and other plays in a tremendous amount of small theaters. The problem for posterity is that those who remember seeing the Lunts on stage are getting older and fewer.
No doubt they took The Guardsman on the road after its 248 performance Broadway run in 1924-25. Given their aversion to film, it's a wonder that Irving Thalberg got them at all for a film.
This work has a play within a play, in fact the inner play in this is Maxwell Anderson's The Private Lives Of Elizabeth And Essex. It opens with the Lunts doing the final scene from that work and to tumultuous applause as the curtain closes, we find these two bickering incessantly as Alfred is almost insanely jealous of every attention his wife receives from admirers. What to do?
So poor Alfred hatches a cockeyed scheme where with heavy makeup and costume he makes himself out to be a Russian Cossack guardsman who is quite willing to ignore marital conventions for the pleasures that Lynn can offer him. And he puts on a big campaign to win Lynn away from himself.
Ferenc Molnar's play was remade by MGM ten years later in The Chocolate Soldier which was the operetta within the play as Nelson Eddy and Rise Stevens played the roles the Lunts originated. The prose of Maxwell Anderson is replaced by the songs of Oscar Strauss from his operetta The Chocolate Soldier. But Molnar's The Guardsman plot remains the same.
The play was a tour de force for the Lunts and I don't think it was an accident that the Academy gave its only recognition of this film with Oscar nominations for Alfred and Lynne as Best Actor and Best Actress. It really is quite the personal vehicle.
By the way Herman Bing has a small role as a creditor who is trying to get a bill paid from Alfred. In the end he really deflates the pretentious Lunt and you have to see how he does it.
One of the other items there is a filmed record of is a Hallmark Hall of Fame production Yankee From Olympus that the Lunts did live for television in the Sixties. It's very good and I did do a user comment on it.
But for a chance to see the Lunts at their height, The Guardsman is the one and only vehicle for that.
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