A Vienna based acting couple make magic when they perform together on stage. Unknown to the theater going public and despite being married for only six months, that magic seems no longer to... See full summary »
A Vienna based acting couple make magic when they perform together on stage. Unknown to the theater going public and despite being married for only six months, that magic seems no longer to translate to their personal life, where they are constantly arguing, even under their breaths during on-stage curtain calls. These arguments stem from the actress' moody behavior, which the actor believes means that she no longer loves him and that she is looking for another man to replace him in her personal life. He believes she even scans the audience for potential suitors, probably being most attracted to the soldier type. Their feuding is at a point where they take pot shots at each other about everything in their lives, even the quality of the other's acting. The actor may have a valid point as the actress has been receiving bouquets of roses of late and a Russian guardsman has been seen hanging around outside their home. The actor knows these things as he is that Russian guardsman (who is ... Written by
On the final day of filming, MGM head of production Irving Thalberg, informed the Lunts that they would be required to re-shoot what Thalberg thought was an unsatisfactory scene. The Lunts protested because they thought they had done their best but were finally coerced into re-shooting the scene. When Thalberg saw the newly shot footage he accused Alfred Lunt of purposely crossing his eye as to sabotage the re-shoot. Lunt replied that he couldn't do that on purpose and the reason why the eye was wandering was because of fatigue. Before Thalberg could ask for another re-shoot, Lunt went to the studio barber to get a haircut, making it impossible to re-shoot anymore. See more »
[the Creditor has seen through the Actor's disguise]
Your own mother might not know you. Your own wife might not know you. And you might put on all the uniforms and all the whiskers and all the wigs in the world. But, as long as you owe me money, I would know you.
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Real life husband and wife duo Alfred Lunt and Lynn Fontanne play famous married theater performers (named in the credits only as The Actor and The Actress). The Actor is so convinced that his wife would be unfaithful to him if given the chance, he dresses up like a Russian officer to try and seduce her. The Guardsman remains the only sound film that either Lunt or Fontanne ever did, which is a damn shame. Both actors achieve a natural quality on screen rarely equaled in thirties films. Lunt especially gives a knockout comedic performance, not only as the whining, conceited, jealous husband, but also as the brash and passionate Guardsman. The rest of the cast play their parts perfectly as well, doing justice to the delightfully witty script. It looses some momentum in the second half, as the film slowly works its way to the conclusion you know is coming. They definitely could have played with the scenario a bit more. Nonetheless, it makes for a very enjoyable comedy.
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