5.7/10
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Goldie (1931)

Passed | | Comedy | 28 June 1931 (USA)
Sailor Spike dates girls whose names he finds in an address book. Each girl has the same tatoo, placed there by another sailor Bill. When Spike meets Bill they become friends. In Calais ... See full summary »

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(story and screenplay), (story and screenplay)
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Cast

Complete credited cast:
...
...
Spike Moore
...
Goldie
...
Gonzales
Leila Karnelly ...
Wife
...
Husband
...
Constantina
...
Russian Girl
...
Dolores
Eddie Kane ...
Barker
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Storyline

Sailor Spike dates girls whose names he finds in an address book. Each girl has the same tatoo, placed there by another sailor Bill. When Spike meets Bill they become friends. In Calais Spike meets Goldie. Bill warns him against her, but Spike ignores the warning until he finds Bill's tatoo on Goldie as well. Written by Ed Stephan <stephan@cc.wwu.edu>

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Taglines:

A carnival queen and a pair of jokers (original poster) See more »

Genres:

Comedy

Certificate:

Passed
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Details

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Release Date:

28 June 1931 (USA)  »

Also Known As:

Por uma Mulher  »

Company Credits

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Sound Mix:

(Western Electric System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Remake of A Girl in Every Port (1928) See more »

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User Reviews

 
The 3 Leads Shine Through a Weak Script
10 November 2015 | by (Atlanta, GA, USA) – See all my reviews

I sought out this film because I'm a big Warren Hymer fan (yes, we exist). It's nice to see him in a leading role with Spencer Tracy (they'd go on to make several more films together, all of which are better than this one) and Jean Harlow when she was beginning to get noticed in Hollywood.

The script for this remake is quite weak but the three leads do their best to elevate the material they're working with. The original Howard Hawks film "A Girl in Every Port" is slightly better because the characters are more real and the story is less hateful towards women in general. There's even a scene in the original film (missing from this remake) where the two friends come together to help a single mother and her child. Here, Harlow manages to be much more scheming and outright evil than Louise Brooks.

Hymer's best moment comes towards the end when he learns the truth about Goldie and the realization of betrayal hits him. It's a shame that Warren Hymer became typecast as a thick-headed goof (he graduated from YALE) after the Hays Code came into effect because his Pre-Code output contains impressive performances (Sinners' Holiday, Men Without Women, Up the River, One Way Passage, Madison Sq. Garden, I Love That Man). This particular film isn't his best work but if you enjoy him in other films, it's likely you'll enjoy him in this one too.

I'd really like to see "Goldie" shown on TCM, Fox Movie Channel or released through Fox Cinema Archives manufacture-on-demand line of DVDs. If you see it's being screened in your local revival movie house, check it out for curiosity's sake.


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