| Adolphe Menjou | ... | Walter Burns | |
| Pat O'Brien | ... | Hildy Johnson | |
| Mary Brian | ... | Peggy Grant | |
| Edward Everett Horton | ... | Bensinger | |
| Walter Catlett | ... | Murphy (as Walter L. Catlett) | |
| George E. Stone | ... | Earl Williams | |
| Mae Clarke | ... | Molly | |
| Slim Summerville | ... | Pincus | |
| Matt Moore | ... | Kruger | |
| Frank McHugh | ... | McCue | |
| Clarence Wilson | ... | Sheriff Hartman (as Clarence H. Wilson) | |
| Fred Howard | ... | Schwartz (as Freddie Howard) | |
| Phil Tead | ... | Wilson | |
| Eugene Strong | ... | Endicott (as Gene Strong) | |
| Spencer Charters | ... | Woodenshoes | |
| Maurice Black | ... | Diamond Louie | |
| Effie Ellsler | ... | Mrs. Grant | |
| Dorothea Wolbert | ... | Jenny | |
| James Gordon | ... | The Mayor | |
| rest of cast listed alphabetically: | |||
| Richard Alexander | ... | Jacobi (uncredited) | |
| James Donlan | ... | Reporter (uncredited) | |
| Francis Ford | ... | Carl - a Detective (uncredited) | |
| Clark Gable | ... | Reporter with hat at table in the prison. (uncredited) (unconfirmed) | |
| Sol Gorss | ... | Policeman (uncredited) | |
| Herman J. Mankiewicz | ... | Bit (uncredited) | |
| Lewis Milestone | ... | Bit (uncredited) | |
| Gustav von Seyffertitz | ... | Professor Max J. Engelhoffer (uncredited) | |
Directed by | |||
| Lewis Milestone | |||
Writing credits | ||
| Ben Hecht | (by) and | |
| Charles MacArthur | (by) | |
| Bartlett Cormack | (adaptation) | |
| Charles Lederer | (additional dialogue) | |
Produced by | |||
| Howard Hughes | .... | producer (uncredited) | |
| Lewis Milestone | .... | producer (uncredited) | |
Cinematography by | |||
| Glen MacWilliams | (photography) | ||
| Tony Gaudio | (uncredited) | ||
| Hal Mohr | (uncredited) | ||
Film Editing by | |||
| W. Duncan Mansfield | (film editor) | ||
Set Decoration by | |||
| Richard Day | (settings) | ||
Production Management | |||
| Charles Stallings | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nate Watt | .... | assistant director | |
Sound Department | |||
| Frank Grenzback | .... | sound engineer (as Frank Grenzbach) | |
Other crew | |||
| Jed Harris | .... | producer: stage play | |
| Howard Hughes | .... | presenter | |
| George Gerhard | .... | press representative (uncredited) | |
| Recent Posts (updated daily) | User |
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| 'That son of a **** stole my watch!' | Zui Quan |
| What does the mayor whisper to Pincus? | roximunro |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Way ahead of its time in both style and substance. The Front Page is a comic look at the underbelly of the newspaper business as well as a tough commentary on the times. In a press room outside the city jail, a group of newspaper reporters idly await the execution of a communist sympathizer accused of murder. Once the story heats up though, the press room becomes an absolute madhouse. The hilariously cynical script adapted from the play by Ben Hecht pulls no punches. Politics, the justice system, communist hysteria, love and marriage are all targets for the biting wit of the author. The script is complemented by a good ensemble cast. Pat O'Brien gives a good performance as Hildy Johnson, the star reporter for The Post, who is leaving his job for marriage. Adolphe Menjou steals the show, however, as Walter Burns, the conniving editor who will do anything to keep Johnson on the job. The rest of the news hounds are all expertly played, striking us as fun loving jokers one minute, but becoming downright violent the moment they smell a story. The movie also has a rare artistic style unequaled in most films. Though most of the movie takes place in the same location, the cinematography is done so well that we never feel we are watching a stage play. The cameras constantly move around the room, effectively putting us in the middle of the action. Pretty much everything about this film is done well. It is funny, edgy, artistic and thought provoking. Movies that can do all of that are few and far in between.