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The Front Page (1931)

 -  Comedy  -  4 April 1931 (USA)
7.0
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Ratings: 7.0/10 from 1,150 users  
Reviews: 23 user | 13 critic

Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »

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Title: The Front Page (1931)

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Nominated for 3 Oscars. Another 2 wins. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Walter Catlett ...
Murphy (as Walter L. Catlett)
...
...
Molly
...
Pincus
Matt Moore ...
Kruger
Frank McHugh ...
Clarence Wilson ...
Sheriff Hartman (as Clarence H. Wilson)
Fred Howard ...
Schwartz (as Freddie Howard)
Phil Tead ...
Wilson
Eugene Strong ...
Endicott (as Gene Strong)
Spencer Charters ...
Woodenshoes
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Storyline

Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent stories as much as write them. All are waiting to cover the hanging of Earl Williams. When Williams escapes from the inept Sheriff, Hildy seizes the opportunity by using his $260 honeymoon money to payoff an insider and get the scoop on the escape. However, Walter Burns, the Post's editor, is slow to repay Hildy back, hoping that he will stay on the story. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burns shows up to help. Can they keep Williams' whereabouts secret long enough to get the scoop, especially with the Sheriff and other reporters hovering around? Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

TV-PG | See all certifications »
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Details

Country:

Language:

Release Date:

4 April 1931 (USA)  »

Also Known As:

A Primeira Página  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

The last line of the play had to be partly obliterated by the sound of a typewriter being accidentally struck because the censors (even of that day) wouldn't allow the phrase "son-of-a-bitch" to be used in a film. See more »

Goofs

In 1927, the year before the original stage play was produced, electrocution replaced hanging as the official method of execution in Illinois. Earl Williams is nonetheless sentenced to hang, not only in the play but also in the 1931 film and its later remakes. See more »

Quotes

[first lines]
Title card: This story is laid in a mythical kingdom.
See more »

Crazy Credits

The end credits consist of Walter and Hildy above a big 'THE END,' covering a large question mark, while the sound of the train is heard and music plays. There is also laughter, presumably coming from Walter Burns. See more »

Connections

Version of Switching Channels (1988) See more »

Soundtracks

By the Light of the Silvery Moon
(1909) (uncredited)
Music by Gus Edwards
Played on banjo early in the film
See more »

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User Reviews

 
Ignore Camera Obscura's criticism!
2 July 2008 | by (United States) – See all my reviews

The remarks by Camera Obscura do an injustice to this film and reveal a true absence of aesthetics governing the writer's appreciation for camera technique, acting, directing and pace. While I am an enormous fan of the subsequent remake, "His Girl Friday," by Howard Hawks, Lewis Milestone's direction of the original is invigorating and sets a pace that Hawks had to match before he began to trump it with his own use of crackling overlapping dialog. Way ahead of its time, the camera explores the set, and Milestone and his editor know how to use editing to create pace. This is not merely a filmed play. It is faithful to the play and excellently exploits the camera's ability to go to closeups, long shots, etc. The acting, particularly by Adolphe Menjou, is as good as in any version. I am also distressed by the comments of Eye 3 who agrees with Obscura that the dialog is shouted in order to be picked up by the microphones! The actors are shouting because their characters are excited - the rapid fire dialog coupled with shouting is an element of farce and is beautifully done, and in the televised version I just watched on TCM, entirely understandable! I do wish someone would restore this early gem to a print with a cleaned up picture and sound, but given its age, it is a remarkable treasure of early sound cinema.


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