A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment ... See full summary »
John has lead a solitary life for thirty years since the death of Moonyeen Clare. But now Owens, a close friend, insists that he care for his niece, Kathleen, orphaned when her parents were... See full summary »
Frisco Jenny was orphaned by the 1906 earthquake and fire and has become the madame of a prosperous bawdy house. She puts her son up for adoption and he rises to prominence as district ... See full summary »
William A. Wellman
Helen Jerome Eddy
Growing up in a poor working-class family, Laura decides not to marry the boy-next-door and instead accepts wealthy, older Will Brockton's invitation to move in with him. After falling in ... See full summary »
Dowdy housewife Kitty dotes on her self-centered husband but divorces him when his mistress shows up at their home one day to break up their marriage. Bob had become bored with her ... See full summary »
Robert Z. Leonard
Rod La Rocque,
Lally is a rich girl whose father writes books and plays Polo. After 23 years of marriage, he decides to divorce his wife, and marry Mrs. Chevers. This sours Lally on all men, while on ... See full summary »
Elyot and Sibyl are being married in a big church ceremony. Amanda and Victor are being married by a French Justice of the Peace. Both couples go to a hotel on the same day and are put in ... See full summary »
Stephen Ashe, an upper class alcoholic defense attourney, successfully defends local mobster Ace Wilfong in a murder case. After his daughter Jan Ashe breaks her engagement to polo player Dwight Winthrop and starts an affair with Wilfong, she finds that the liason is not easily severed when she wants out. Winthrop earns Miss Ashe's true affections by killing Wilfong to break his grip on her. Now the question is, can Stephen Ashe save Winthrop with an impassioned defense speech to the jury? Written by
Gary Jackson <email@example.com>
When the final version of the movie went before Hollywood censors, they demanded that MGM cut the scene where Norma Shearer lays on the bed and suggestively asks Clark Gable to put his arms around her. The studio ignored the demand and released the film uncut. See more »
In the emotional scene when Shearer promises to give up Gable, Barrymore's hair changes between close-ups and medium shots. See more »
It's leopard sweat! You can't trust it!
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Some movies are theatrical in the sense that all their values and methods are derived from stage values. This is one.
Some movies are in that sweet spot after talkies got going and before the code was enforced, so they have a vitality that is lacking for a few decades afterwards.
This fits those two overlapping pockets and is a fine example of theatrical acting. The story is simple: a woman from a "fine" family spends time with a gangster for exciting sex. She has an unnatural bond with her "mountebank" father, a drunken lawyer both of which characteristics give him an excuse to be broad in his acting style.
The father forbids the affair and dramatic complications arise. Its an excuse for speechifying, which is done fabulously so long as you understand the tradition. Barrymore is perhaps the last great speechifier in this tradition, though Olivier would hang on for much longer and be celebrated out of nostalgia.
There's an interesting fold in this. The audience has a surrogate on screen, in the jury. Courtroom movies have since this grown into a solid tradition. As the case is made to the jury, it is made to us. This is special because was an early edition of that model, say before Mockingbird and Christie. Because of that, the speechifying to us/jury is fresher, more direct, less burdened with mature movieness.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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