Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again. Written by
Josh Pasnak <email@example.com>
According to The People's Almanac, at one point the movie was to have included a line of dialogue giving the Monster the name, Adam. The Almanac indicates that an early print of this film may have indeed been released with just such a scene, but that it was cut when audiences began referring to the Monster by the name Frankenstein. See more »
People enter castle from outside in driving rain storm but they are hardly wet. See more »
The closing credits start with "A GOOD CAST IS WORTH REPEATING...". The first four actors' names are listed in all caps-sans serif font with the "S" in John Boles & Boris Karloff plus in CAST & IS tilted to the right 45 degrees. The remaining 5 cast members have their names listed in Serif font with both Caps & lower case letters. See more »
Just as the Beatles influenced popular music for decades after they came and went, so did "Frankenstein" shape the landscape for cinematic horror. Had this film been an artistic and/or commercial failure, the American Horror Film would have evolved in a totally different direction, had it survived at all.
It is remarkable that the conventions established in this early talking film would continue to be utilized by serious filmmakers for over four decades, until "The Exorcist" (1973) changed the rules.
However, "Frankenstein" remains a flawed classic, partially because it's characters have, over time, become almost comical (even without the endless satires), partially because of some of the supporting performances (which inspired the endless satires), and partially because of the primitive technology available at Universal Studios in 1931. Even the tiny Hal Roach Studios produced more sophisticated product at the time.
But what of the assets? Charles D. Hall's art direction is striking, as are some of Arthur Edeson's photographic compositions. Colin Clive remains compelling as Henry Frankenstein, the intense medical adventurer, although he seems pushed to the brink at times by director James Whale, a smart, imaginative filmmaker who didn't always know when to apply restraint.
Then there is Boris Karloff as the monster; Karloff was (and is) underrated as an actor, mainly because he became content to lend himself more as a personality rather than as a performer in numerous films, especially after the mid-1940's. But Karloff, aided by magnificent makeup designed by Jack Pierce, perfectly captured the misery, desperation and loneliness of an artificially fabricated creature in this film, guided by Whale's unexpectedly sensitive direction.
"Frankenstein" survives as a flawed, but historic -- and necessary -- document that set the course for one of cinema's most enduring genres.
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