It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
Danny is a content truck driver, but his girl Peggy shows potential as a dancer and hopes he too can show ambition. Danny acquiesces and pursues boxing to please her, but the two begin to spend more time working than time together.
A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment ... See full summary »
Hinchcliffe, the ruthless publisher of a sleazy New York tabloid, is concerned that the ethical journalistic policies of City Editor Randall have caused a drop in circulation. He pressures the newsman to run more sensational stories including resurrecting the twenty year old Vorhees Murder Case. Although the perpetrator's actions were ultimately judged justifiable, and she has been subsequently living an exemplary life in anonymity, Hunchcliffe insists Randall revisit the story. Randall assigns Isopod, an alcoholic degenerate, to dig up anything lurid that he find. The unprincipled reporter fraudulently insinuates himself into the Vorhees' home masquerading as a minister and gets the expose he sought. Yellow journalism triumphs, and a decent woman's name gets dragged through the mud again... with tragic consequences. Written by
The Evening Gazette is based on the real-life New York Evening Graphic, the most sensational of all the Front Page-era tabloid papers. (Critics called it the Porno-Graphic.) The paper, owned by Bernarr Macfadden, published from 1924 to 1932. At the time this film was made, the Graphic had been losing circulation, because its new editor had been trying to make it a more respectable paper, just like in the film. The paper was best known for its "composographs," composite photographs used to create an otherwise unobtainable illustration. Louis Weitzenkorn, who wrote the original play, had been a reporter and editor on the Evening Graphic. See more »
Mr. Hinchecliffe says there's an opening for me on the staff. He thinks I might take the job of some girl that was just let out.
Good heavens, don't they even let the corpse get cold?
Mr. Hinchecliffe seemed to *like* me very much.
[Miss Taylor gives her a look]
What I meant about Mr. Hinchecliffe is, that he knows that I've had a *lot* of experience in Chicago.
Yeah... you look it.
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In the early 1930's, seemingly, only Warner Brothers had the guts to film this type of raw entertainment. Seen today, "Five Star Final" seems to be ahead of its time! It is racy, daring, provocative and is also a rough and tough exposé of the newspaper racket and its unscrupulous tactics. Edward G. Robinson, Marian Marsh (her hysterical confrontation with the nasty tabloid personnel at the films finale is a real gem), H.B. Warner (the personification of dignity), Boris Karloff (callous), Aline MacMahon, Ona Munson and Frances Starr are all superb. "Five Star Final" is a film that is still enjoyable and delivers a wallop, even by today's standards.
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