The saga of Tom Holmes - a man of principles - from the Great War to the Great Depression. Will he ever get a break? His war heroics earn fame and a medal for someone else, and his wounds ... See full summary »
William A. Wellman
After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
Mike is a great tuna fisherman though he lost a hand to a shark years earlier saving Pipes Boley. Now Mike is happily married to Quita and doesn't notice that Pipes and Quita are falling ... See full summary »
Edward G. Robinson,
Hinchcliffe, the ruthless publisher of a sleazy New York tabloid, is concerned that the ethical journalistic policies of City Editor Randall have caused a drop in circulation. He pressures the newsman to run more sensational stories including resurrecting the twenty year old Vorhees Murder Case. Although the perpetrator's actions were ultimately judged justifiable, and she has been subsequently living an exemplary life in anonymity, Hunchcliffe insists Randall revisit the story. Randall assigns Isopod, an alcoholic degenerate, to dig up anything lurid that he find. The unprincipled reporter fraudulently insinuates himself into the Vorhees' home masquerading as a minister and gets the expose he sought. Yellow journalism triumphs, and a decent woman's name gets dragged through the mud again... with tragic consequences. Written by
In September 1928, Warner Bros. Pictures purchased a majority interest in First National Pictures and from that point on, all "First National" productions were actually made under Warner Bros. control, even though the two companies continued to retain separate identities until the mid-1930's, after which time "A Warner Bros.-First National Picture" was often used. See more »
Joseph W. Randall:
Now you listen to me, Hinchecliffe. It'll be for the last time. I'm through with your dirty rag, and I'm through with you. Oh, I'm not ducking any of the blame for this thing. You thought of the murder and I committed it. But I did it for smaller profit. For wages. You did for circulation.
You must be mad.
Joseph W. Randall:
Mad. Yes I am. All my life I'll be mad. Because all my life I'll be seeing Nancy Voorhee's daughter standing there. And asking me why I killed her mother. And I want you, Hinchecliffe, to ...
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The muckraking editor of The Gazette revives an old murder case (with a FIVE STAR FINAL) to increase the paper's circulation.
Movies have long been fascinated with the fast-paced action of the journalistic newsroom and have mined stories about newspaper shenanigans for both comedies & dramas. Here, from First National Pictures, was one of the earliest talkies to have a real success in exploring the medium. The action is fast and the dialogue fits. The film goes further, however, reaching beyond the newspaper staff and focusing on a family who becomes the victim of untrammeled yellow journalism.
Pugnacious Edward G. Robinson gives a vivid portrayal of the unscrupulous editor who slowly begins to develop a soul when he is confronted by the turmoil his decisions have on the lives of innocent folks. Seemingly incapable of giving a bad performance, Robinson fascinates as he chews the scenery with his full-throttle performance. The always sterling Aline MacMahon scores as his wise, levelheaded secretary who nurses a secret love for him. Their scenes together are riveting.
In supporting roles, creepy Boris Karloff plays an alcoholic reporter without any morals whatsoever. Wisecracking Ona Munson has fun with her role of a floozy who becomes a girl reporter. Oscar Apfel is good as the paper's spineless owner. Rat-faced George E. Stone is rather repulsive as the guy who sends out the goons to strong-arm newspaper vendors on the street.
H. B. Warner & Frances Starr both shine as an innocent couple whose lives are made a misery by the rapacious Gazette. Playing their daughter, Marian Marsh has a terrific scene at the film's climax when she confronts the three newspapermen who destroyed her home. Sturdy Anthony Bushell appears as her steadfast society boyfriend.
Movie mavens will recognize little Frank Darien as an eager undertaker. And that's blonde Polly Walters as the Gazette's kooky-voiced telephone operator.
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