Cassie has come to New York and goes to work as a model where her friend Gladys works. She falls in love with wealthy young Jerry who is already married. Gladys has the same probelm with ... See full summary »
Larry Fellowes of Fellowes Publishing wants Kate to write her next book about the 'Office Wife'. The personal secretary/stenographer spends more time with the busy executive and makes more ... See full summary »
A timid man (Ed Wynn) is thrust into the spotlight when his father is honored as a hero. He blunders into a series of adventures because of a woman (Dorothy Mackaill) and becomes a hero ... See full summary »
Charles 'Chic' Sale,
Hinchcliffe, the ruthless publisher of a sleazy New York tabloid, is concerned that the ethical journalistic policies of City Editor Randall have caused a drop in circulation. He pressures the newsman to run more sensational stories including resurrecting the twenty year old Vorhees Murder Case. Although the perpetrator's actions were ultimately judged justifiable, and she has been subsequently living an exemplary life in anonymity, Hunchcliffe insists Randall revisit the story. Randall assigns Isopod, an alcoholic degenerate, to dig up anything lurid that he find. The unprincipled reporter fraudulently insinuates himself into the Vorhees' home masquerading as a minister and gets the expose he sought. Yellow journalism triumphs, and a decent woman's name gets dragged through the mud again... with tragic consequences. Written by
Joseph W. Randall:
Now you listen to me, Hinchecliffe. It'll be for the last time. I'm through with your dirty rag, and I'm through with you. Oh, I'm not ducking any of the blame for this thing. You thought of the murder and I committed it. But I did it for smaller profit. For wages. You did for circulation.
You must be mad.
Joseph W. Randall:
Mad. Yes I am. All my life I'll be mad. Because all my life I'll be seeing Nancy Voorhee's daughter standing there. And asking me why I killed her mother. And I want you, Hinchecliffe, to ...
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In the early 1930's, seemingly, only Warner Brothers had the guts to film this type of raw entertainment. Seen today, "Five Star Final" seems to be ahead of its time! It is racy, daring, provocative and is also a rough and tough exposé of the newspaper racket and its unscrupulous tactics. Edward G. Robinson, Marian Marsh (her hysterical confrontation with the nasty tabloid personnel at the films finale is a real gem), H.B. Warner (the personification of dignity), Boris Karloff (callous), Aline MacMahon, Ona Munson and Frances Starr are all superb. "Five Star Final" is a film that is still enjoyable and delivers a wallop, even by today's standards.
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