Sheriff Tim has killed Crip's outlaw brother in the line of duty and now Crip is out to get Tim. He makes Tim's brother Bud a prisoner to lure Tim into a trap. When Tim is warned by Bud, ... See full summary »

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(story and scenario) (as Frank H. Clark)
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Cast

Cast overview:
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Uncle John Lyman
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Crip Mason
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Bud Collins
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Nina
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Deputy Hoppy
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Henchman Charley
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Storyline

Sheriff Tim has killed Crip's outlaw brother in the line of duty and now Crip is out to get Tim. He makes Tim's brother Bud a prisoner to lure Tim into a trap. When Tim is warned by Bud, Tim is saved but Bud is killed. Tim arrests Crip but Crip escapes and he and his gang now make a final stand against Tim and his men. Written by Maurice VanAuken <mvanauken@a1access.net>

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Genres:

Western

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Details

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Release Date:

20 January 1932 (USA)  »

Also Known As:

A Lei do Revólver  »

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of over a hundred Columbia features, mostly Westerns, sold to Hygo Television Films in the 1950s, who marketed them under the name of Gail Pictures; opening credits were redesigned, with some titles misspelled, the credit order of the players rearranged, some names misspelled, and new end titles attached, thus eliminating any evidence of their Columbia roots. Apparently, the original material was not retained in most of the cases, and the films have survived, even in the Sony library, only with these haphazardly created replacement opening and end credits. See more »

Soundtracks

Under the Western Skies
Lyrics by Irving Bibo
Music by Milan Roder
Sung by Dorothy Granger
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User Reviews

 
The Usual Foolishness
15 June 2015 | by (New York City) – See all my reviews

Sheriff Tim McCoy falls for Philadelphian Marceline Day, tries to keep his brother, Arthur Rankin, from falling for Mexican Dorothy Granger, while hunting mysterious outlaw "the Shadow" in this decent but unremarkable Columbia B western.

It's all handled well enough by cameraman Benjamin Kline under the direction of longtime Western director Lambert Hillyer, although some of the performances might be better. Perhaps Hillyer might have done with a dialogue director; Rankin and obviously villainous Robert Ellis both seem a little stiff in speechifying. However, with the usual fine visuals of the Columbia B westerns and a far more complicated and interesting plot than later Bs would offer, fans of the genre should be more than satisfied.


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