| Photos (See all 17 | slideshow) | Videos (see all 2) |
| Gary Cooper | ... | Clint Belmet | |
| Lili Damita | ... | Felice (as Lily Damita) | |
| Ernest Torrence | ... | Bill Jackson | |
| Tully Marshall | ... | Jim Bridger | |
| Fred Kohler | ... | Lee Murdock | |
| Eugene Pallette | ... | Seth | |
| Roy Stewart | ... | Couch | |
| May Boley | ... | Jane | |
| Eve Southern | ... | Faith | |
| Frank Campeau | ... | Jeff Moffitt | |
| Charles Winninger | ... | Marshall | |
| Frank Hagney | ... | Renegade | |
| rest of cast listed alphabetically: | |||
| Oscar Apfel | ... | Minor Role (uncredited) | |
| Irving Bacon | ... | Mustachioed Barfly (uncredited) | |
| Chief John Big Tree | ... | Indian Chief in Opening Credits (uncredited) | |
| Chris Willow Bird | ... | Apache Indian (uncredited) | |
| Frank Brownlee | ... | Minor Role (uncredited) | |
| Jack Carlyle | ... | Minor Role (uncredited) | |
| Blue Cloud | ... | Navajo Indian (uncredited) | |
| Iron Eyes Cody | ... | Indian After Firewater (uncredited) | |
| Bill Cooley | ... | Minor Role (uncredited) | |
| Rae Daggett | ... | Minor Role (uncredited) | |
| Jane Darwell | ... | Pioneer Woman (uncredited) | |
| Sidney De Gray | ... | Minor Role (uncredited) | |
| Clifford Dempsey | ... | Minor Role (uncredited) | |
| Walter Downing | ... | Minor Role (uncredited) | |
| James Durkin | ... | Minor Role (uncredited) | |
| Chief White Eagle | ... | Indian (uncredited) | |
| Peggy Elinor | ... | Minor Role (uncredited) | |
| Jim Farley | ... | Amos (uncredited) | |
| Pauline French | ... | Pioneer Woman (uncredited) | |
| Rosa Gore | ... | Pioneer Woman (uncredited) | |
| High Eagle | ... | Mission Indian (uncredited) | |
| Helen Hunt | ... | Pioneer Woman (uncredited) | |
| Dolores Johnson | ... | Minor Role (uncredited) | |
| Jane Keckley | ... | Pioneer Woman (uncredited) | |
| Harry Lee | ... | Minor Role (uncredited) | |
| Donald MacKenzie | ... | Gus (uncredited) | |
| James A. Marcus | ... | The Blacksmith (uncredited) | |
| Merrill McCormick | ... | Townsman (uncredited) | |
| Guy Oliver | ... | Minor Role (uncredited) | |
| Tiny Sandford | ... | Man at Wagon Train (uncredited) | |
| Syd Saylor | ... | Charlie (uncredited) | |
| Scott Seaton | ... | Minor Role (uncredited) | |
| Harry Semels | ... | Brawler (uncredited) | |
| Ernest Shields | ... | Minor Role (uncredited) | |
| Bruce Warren | ... | Minor Role (uncredited) | |
| E. Alyn Warren | ... | Barlow (uncredited) | |
| White Cloud | ... | Choctaw Indian (uncredited) | |
| Chief White Feather | ... | Iroquois Indian (uncredited) | |
Directed by | |||
| Otto Brower | |||
| David Burton | |||
Writing credits | ||
| Zane Grey | (novel "Wagon Wheels") | |
| Edward E. Paramore Jr. | (screenplay) & | |
| Keene Thompson | (screenplay) & | |
| Agnes Brand Leahy | (screenplay) | |
Original Music by | |||
| Max Bergunker | (uncredited) | ||
| Emil Bierman | (uncredited) | ||
| A. Cousminer | (uncredited) | ||
| Karl Hajos | (uncredited) | ||
| Herman Hand | (uncredited) | ||
| Emil Hilb | (uncredited) | ||
| Sigmund Krumgold | (uncredited) | ||
| John Leipold | (uncredited) | ||
| Oscar Potoker | (uncredited) | ||
Cinematography by | |||
| Lee Garmes | |||
| Henry W. Gerrard | (as Henry Gerrard) | ||
Film Editing by | |||
| William Shea | |||
Art Direction by | |||
| Robert Odell | (uncredited) | ||
Sound Department | |||
| Earl S. Hayman | .... | sound (uncredited) | |
Stunts | |||
| Spike Spackman | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Other crew | |||
| Adolph Zukor | .... | presenter | |
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| The Painted Stallion | Custer's Last Stand | The Phantom Rider | Ghost of Zorro | Man with the Steel Whip |
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| Full cast and crew | Company credits | External reviews |
| IMDb Romance section | IMDb USA section |
Quick and amusing dialogue, fun characters, great location shooting, and high production values for the time, I was very happy to stumble upon this wonderful old film. I found it thoroughly entertaining.
Seeing the charismatic glow of a skinny young Gary Cooper makes me regret that he adopted such a dull and wooden persona later in his career.
A lot of the negative critiques of this film here seem to be based on superficial criticisms of the look and pacing of movies of this era, and not with the movie itself. If a movie is engaging, one soon gets used to the shortcomings of the time when early talkies were still finding their way with dialogue delivery and pacing. In fact, I thought they did a pretty good job here. While it is somewhat episodic, the performances are sensitive, and it does give us a rich and convincing glimpse of the wagon train era, even with the white man's simplistic perspective of Native American culture.