In Apache territory, a supply army column heads for the next fort, an ex-scout searches for the killer of his Indian wife, and a housewife abandons her husband in order to re-join her Apache lover's tribe.
Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
A young frontier scout helps guide a freight wagon train across the country, fighting off Indians and evil traders, while his two crusty companions try and save him from falling in love. Written by
Rick Johnson <email@example.com>
When it was re-released theatrically in 1950 by Favorite Films, this film was often shown in tandem with Rocky Mountain Mystery (1935), which had been re-titled 'Fighting Westerner', or Born to the West (1937), which had been re-titled 'Hell Town'. See more »
He ain't been himself for the last three days. I've been watching him pretty close. Yesterday, he only had eleven drinks.
And he's been a-working too. Doing things he don't have to do.
She's got him all right.
Let's get drunk!
See more »
Opening card: "In the days of the Civil War, the hard-won frontier country west of the Mississippi needed supplies. There were no railroads. Shipping had been tied up by the war. The burden of Transportation was taken up by trains of freight wagons - - Fighting Caravans banded together for the dangerous trip to California." See more »
Interesting perceptions of an early Western period.
This film, Originally titled BLAZING ARROWS, is the first of several based upon a Zane Grey novel published only two years prior, and the version that is most faithful to the book, while being one of the largest budgeted Westerns of the early sound era, with the viewer advised to remember that the period of the narrative (1862) antedated its audience only to the extent that the Great Depression does to spectators today. The story tells of a caravan of freight wagons journeying from Independence, Missouri, to the West Coast during a pre-railroad time, with settlers accompanying, and the procession's four month struggle with hostile Indians, very harsh winter weather, forbidding terrain and renegade betrayal, and is particularly full of interesting detail as to the methods of the freightmen and their metier. Gary Cooper portrays Clint Belmet, a Missouri guide who has been reared and trained as a member of a successive generation of scouts and trappers by two veterans of the breed, Bill Jackson (Ernest Torrence) and Jim Bridger (Tully Marshall), who are unaware that their way of life is to be ended by an advancing intracontinental rail system, only temporarily slowed by the War Between the States. Because of plot circumstances, Belmet must pretend to be married to a lone traveller, Felice (Lily Damita), and their seesaw relationship provides one of the main themes of a wideranging scenario, with Belmet and his mentors trumpeting of the glories of their fading way of life while Felice seeks to inculcate within her swain a sense of domestic virtue. The cinematography of Lee Garmes is very effective with its images of the travails of the wagon train and his work is not compromised by the editing which is crisp and appropriate for a film as episodic as is this one. The work's most serious failing is a lack of a consistent point of view, as it is essentially a comedy, due largely to a highly effectual performance from Torrence, here permitted to utilize his native Scottish burr to its fullest, and is somewhat reduced in impact during scenes of action and romance as a result of only cursory emphasis upon each.
15 of 17 people found this review helpful.
Was this review helpful to you?