Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
In the early 1800's, a group of fur trappers and Indian traders are returning with their goods to civilisation and are making a desperate attempt to beat the oncoming winter. When guide ... See full summary »
Richard C. Sarafian
A young frontier scout helps guide a freight wagon train across the country, fighting off Indians and evil traders, while his two crusty companions try and save him from falling in love. Written by
Rick Johnson <email@example.com>
This is one of 20 Zane Grey stories, filmed by Paramount in the 1930s, which they sold to Favorite Films for re-release, circa 1950-1952. The failure of Paramount, the original copyright holder, to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
He ain't been himself for the last three days. I've been watching him pretty close. Yesterday, he only had eleven drinks.
And he's been a-working too. Doing things he don't have to do.
She's got him all right.
Let's get drunk!
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Opening card: "In the days of the Civil War, the hard-won frontier country west of the Mississippi needed supplies. There were no railroads. Shipping had been tied up by the war. The burden of Transportation was taken up by trains of freight wagons - - Fighting Caravans banded together for the dangerous trip to California." See more »
Quick and amusing dialogue, fun characters, great location shooting, and high production values for the time, I was very happy to stumble upon this wonderful old film. I found it thoroughly entertaining.
Seeing the charismatic glow of a skinny young Gary Cooper makes me regret that he adopted such a dull and wooden persona later in his career.
A lot of the negative critiques of this film here seem to be based on superficial criticisms of the look and pacing of movies of this era, and not with the movie itself. If a movie is engaging, one soon gets used to the shortcomings of the time when early talkies were still finding their way with dialogue delivery and pacing. In fact, I thought they did a pretty good job here. While it is somewhat episodic, the performances are sensitive, and it does give us a rich and convincing glimpse of the wagon train era, even with the white man's simplistic perspective of Native American culture.
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