Scandal Sheet is a 1931 American crime film directed by John Cromwell and written by Oliver H.P. Garrett, Vincent Lawrence and Max Marcin. The film stars George Bancroft, Kay Francis, Clive... See full summary »
Anne Brooks is being blackmailed by her old dancing partner Maurice. They married when she was young but broke up after which he said he was getting a quickie divorce. Anne married the much... See full summary »
Strangers in Love is a 1932 American Pre-Code comedy film directed by Lothar Mendes and written by Grover Jones, William J. Locke and William Slavens McNutt. The film stars Fredric March, ... See full summary »
Art student John Hayden interrupts his studies in Greece to head his father's meat packing business on his father's death. He marries social climber Martha who taunts him for his ideals ... See full summary »
Alfred E. Green
Edward G. Robinson,
Sarajevo June 28, 1914. Dushan, the Serbian mayor of a Hungarian town, has come to see the parade of Archduke Ferdinand. While there he runs into Geza, an old friend in the Hungarian Army ... See full summary »
Mary Stevens (Kay Francis) and her old friend Don Andrews (Lyle Talbot) find themselves graduating from medical school at the same time. They decide to set up their respective medical ... See full summary »
This film was chosen for the grand opening of the Paramount Theatre in Oakland CA on 16 December 1931, featuring a gala premiere attended by Kay Francis and costars Tearle, Brown, Gateson, and Boyd. See more »
Odd and moving film that stars Kay Francis as a grifter who poses as a dead woman to cheat the dead woman's son out of his money.
The film starts out as a bus races alongside a train on a rainy night. It seems Francis and her fellow cheats (William "Stage" Boyd, Marjorie Gateson, and Charles D. Brown) have been thrown out of a hotel and must get out of town. On the train Boyd (a defrocked doctor) is summoned to the room of a dying woman. As she blurts out her story of abandoning her husband and son 14 years before, Boyd hatches the plan for Francis to impersonate the woman and get money out of the kid.
Their research shows that after the woman abandoned them, the father and infant son moved from Chicago to Long Island. None of the family friends or servants had any connection with the woman, so it becomes plausible that Francis swoop in and get money.
Francis has misgivings and wants to quit the rackets but agrees to this one last scheme. When she arrives at the mansion she is greeted by the boy's guardian (Conway Tearle) and learns that the boy (John Breeden) is ill. She is accepted as the mother (or is she?) and after a week everything is resolvedHollywood fashion.
Francis and Breeden are quite good together, and Francis gets to sing in her low throaty voice. Tearle is solid as the guardian, and Boyd (not the William Boyd of Hopalong Cassidy fame) makes a nice snarky crook.
What starts out as a typical pre-Coder about conniving thieves turns, thanks to Kay Francis, into a surprisingly moving film about regrets and redemption.
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