The story takes place in medieval France. Poet-rogue Francois Villon, sentenced to hang by King Louis XI for writing derogatory verses about him, is offered a temporary reprieve. His ... See full summary »
It is the bottom of the depression and Sol Glass has the idea that the girls in the stenographic department should be used to entertain the clients. Seems the clients are tiring of the ... See full summary »
Dress designer Joan Wood, who's heavily in debt, has created costumes for a Broadway show that is exported to Argentina. With the money she wants to pay her debts, but there was a mistake: ... See full summary »
Richard 'Skeets' Gallagher
This movie opens in 1905, when showgirl and daughter of a deceased gambler Peggy Martin falls in love with Monte Van Tyle and breaks the news to lover Fiske that she is leaving him. She and... See full summary »
When an English husband goes off to India for a year-long business trip, he also sends his wife to live in Paris to alleviate her loneliness and boredom. While she is there, she becomes ... See full summary »
This film was chosen for the grand opening of the Paramount Theatre in Oakland CA on 16 December 1931, featuring a gala premiere attended by Kay Francis and costars Tearle, Brown, Gateson, and Boyd. See more »
Odd and moving film that stars Kay Francis as a grifter who poses as a dead woman to cheat the dead woman's son out of his money.
The film starts out as a bus races alongside a train on a rainy night. It seems Francis and her fellow cheats (William "Stage" Boyd, Marjorie Gateson, and Charles D. Brown) have been thrown out of a hotel and must get out of town. On the train Boyd (a defrocked doctor) is summoned to the room of a dying woman. As she blurts out her story of abandoning her husband and son 14 years before, Boyd hatches the plan for Francis to impersonate the woman and get money out of the kid.
Their research shows that after the woman abandoned them, the father and infant son moved from Chicago to Long Island. None of the family friends or servants had any connection with the woman, so it becomes plausible that Francis swoop in and get money.
Francis has misgivings and wants to quit the rackets but agrees to this one last scheme. When she arrives at the mansion she is greeted by the boy's guardian (Conway Tearle) and learns that the boy (John Breeden) is ill. She is accepted as the mother (or is she?) and after a week everything is resolvedHollywood fashion.
Francis and Breeden are quite good together, and Francis gets to sing in her low throaty voice. Tearle is solid as the guardian, and Boyd (not the William Boyd of Hopalong Cassidy fame) makes a nice snarky crook.
What starts out as a typical pre-Coder about conniving thieves turns, thanks to Kay Francis, into a surprisingly moving film about regrets and redemption.
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