Growing up in a poor working-class family, Laura decides not to marry the boy-next-door and instead accepts wealthy, older Will Brockton's invitation to move in with him. After falling in ...
See full summary »
Growing up in a poor working-class family, Laura decides not to marry the boy-next-door and instead accepts wealthy, older Will Brockton's invitation to move in with him. After falling in love with young up-and-coming newsman Jack Madison she leaves Brockton to wait for Madison's return from a long assignment. She runs out of money and becomes desperate, returning again to Brockton who, upon learning of Madison's sudden arrival, tells Laura she must inform Madison of her living situation or he will. Written by
Doug Sederberg <firstname.lastname@example.org>
The original play opened in New York on 19 December 1909. See more »
When Constance Bennett visits Anita Page and has the child sat on her lap, the fur stole she is wearing drops off of her shoulder; it remains off of her shoulder in distance shots yet miraculously reappears in every close-up. See more »
I ain't stuck on havin' you drive up here in your fine cars and limousines. We ain't limousine people.
See more »
Constance Bennett stars as a lower class girl who takes the easy way. That is, she becomes a kept women. We see her in beautiful gown, in jewels, in furs. Adolph Menjou is footing the bill.
Then she meets newspaperman Robert Montgomery and wants to give it all up for true love. I won't reveal the ending. But it's not an especially happy one, and three cheers to Hollywood for not selling out.
A few comments on the perfumers: . Robert Montgomery is not someone I can imagine anyone's throwing over even a modest income for.
. Clark Gable has a fairly small role here. He plays, with of course no mustache, Bennett's proper working class and disapproving brother-in-law.
. Bennett is chic as she always is. But she isn't photographed in a faltering manner. Her profile is rather flat. She appears to have an overbite and her false eyelashes seem apparent. Maybe the director of photography and she did not get on well.
. The brilliant Marjorie Rameau turns in the earliest of her fine performances that I have seen. She plays another kept woman. When Bennett is down on her luck and asks for a loan, she sends her packing. But when her daddy dies, she comes to Bennett for money and is given it.
Her performance is in a different realm from that of any of the other players in this movie.
Bennett is a strangely forgotten star of early movies. Rambeau is a sadly underrated actress, whose career spanned several decades.
17 of 21 people found this review helpful.
Was this review helpful to you?