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The Drums of Jeopardy (1931)

 -  Drama | Horror  -  2 March 1931 (USA)
6.0
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Ratings: 6.0/10 from 103 users  
Reviews: 9 user | 2 critic

A mad doctor is determined to take revenge on the family he believes is responsible for his daughter's death.

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Cast

Complete credited cast:
...
...
Lloyd Hughes ...
Clara Blandick ...
Hale Hamilton ...
Wallace MacDonald ...
Prince Gregor Petroff
George Fawcett ...
General Petroff
Florence Lake ...
Anya Karlov
...
Peter
Ernest Hilliard ...
Prince Ivan Petroff
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Storyline

A mad doctor is determined to take revenge on the family he believes is responsible for his daughter's death.

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Plot Keywords:

remake | based on novel

Genres:

Drama | Horror

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Release Date:

2 March 1931 (USA)  »

Also Known As:

Mark of Terror  »

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Sound Mix:

(RCA Photophone Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Quotes

Abbie Krantz: Dead or alive, Kitty Conover, you oughtn't have a man in your room at this hour of the night.
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Connections

Remake of The Drums of Jeopardy (1923) See more »

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User Reviews

 
THE DRUMS OF JEOPARDY (George B. Seitz, 1931) **1/2
3 October 2011 | by (Naxxar, Malta) – See all my reviews

Like MYSTERY OF MARIE ROGET (1942), this is more thriller than horror but there is still enough atmosphere and thrills here to make it an entertaining ride (which, as with the above-mentioned film, clocks in at just over an hour and is therefore not allowed to overstay its welcome). The plot is that of a hoary melodrama – not unlike the Oriental Lon Chaney vehicle MR. WU (1927) – as an eminent personality (in this case, scientist Warner Oland: interestingly, his most famous role was the multiple genial appearances as popular Chinese sleuth Charlie Chan!) has his life virtually brought to a stand-still by the death, over her romantic attachment to a member of the aristocracy, of his young daughter. So, he swears vengeance and nearly accomplishes his mission, were it not for the intervention of an elderly but strong-willed lady (here, it is Clara Blandick, the landlady of the heroine who chooses to shelter one of Oland's 'targets') – though her annoying characterization reminded me of the middle-aged 'fraidy cat' maid in THE BAT WHISPERS (1930) and the romantically-inclined (albeit still very much way- past-her-prime) one in THE GHOUL (1933)!

Incidentally, the title refers not to the musical instrument but to a diamond-studded necklace belonging to the upper-class family and which had been donated to Oland's daughter by her paramour. It eventually comes into play in the scientist's revenge scheme since he is gentlemanly (or is that sadistic?) enough to forewarn his next victim with a note accompanied by one of the jewels; by the way, Oland has an accomplice in a lanky and somber Mischa Auer, that is before he became everybody's favorite eccentric Russian! The few murder/action sequences deliver the goods – especially one in which Oland's shadow slowly bends over the kidnapped eldest nemesis to strangle him and then plants his body in a window so that, during a roof-top chase with the man's relatives and the Police, they take him for Oland and take several pot-shots at the poor soul! Then there is the finale where, as I said, it is Blandick who contrives to literally make the drop on Oland by pushing him through a trap-door down into the river running under his hiding-place/laboratory/operations center as he is about to blow everything sky-high via a potion he has concocted.

Ultimately, this is a minor yet engaging outing that ought to be better-known (I only learned about it myself when I came across the film fairly recently)…if only because Oland's character here is named – brace yourself – Boris Karlov (the picture under review came out eight months prior to FRANKENSTEIN, released the same year and which, I am sure no-one needs reminding, immortalized its star who was soon to be billed simply as "Karloff, the Uncanny")!!


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