Two soldiers--searching the Sahara for Atlantis--are captured by raiders from the lost city. They are taken before its beautiful queen who has over 50 mummified ex-lovers! What follows is ... See full summary »
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William A. Wellman
Lucienne, typist and gorgeous bathing beauty, decides to enter the 'Miss Europe' pageant sponsored by the French newspaper she works for. She finds her jealous lover Andre violently ... See full summary »
Joe May's sensual drama of life in the Berlin underworld is in many ways the perfect summation of German filmmaking in the silent era: a dazzling visual style, a psychological approach to ... See full summary »
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
A working-class family in Berlin in 1931 where survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni's brother commits suicide in despair, her ... See full summary »
In Spain, in the sixteenth century, an elderly gentleman named Don Quixote has gone mad from reading too many books on chivalry. Proclaiming himself a knight, he sets out with his squire, ... See full summary »
Georg Wilhelm Pabst
Feodor Chaliapin Sr.,
In London at the turn of the century, the bandit Mack the Knife marries Polly without the knowledge of her father, Peachum, the 'king of the beggars'. Written by
Brian rawnsley <firstname.lastname@example.org>
The German title "Die 3 Groschen-Oper" should translate properly into English as "The Three-Dime Opera" or "The 30-Cent Opera", since the Groschen was a coin worth ten Pfennig, and the Pfennig was the equivalent of a penny in pre-Euro currency. See more »
Pabst filming of Brecht Masterpiece Still The Best
Hard-biting cynicism of governments, crooks, the bourgeoisie, misanthropy, and corruption is as stingingly appropriate today as it was in 1931. The leads are well cast and well executed as gangster Mack the Knife and his bride don't care whose feathers they ruffle. However, both take a backseat to Lotte Lenya's unforgettable portrayal of Pirate Jenny which has stood for 70+ years at finest revenge-dream sequence ever filmed.
Eerily, one of the sycophantic government stooges is a dead-ringer for Donald Rumsfeld. The incomparable Weill score is reason enough to watch this richly textured, ahead-of-its-time operetta. One thing -- this would be a great candidate for restoration because the copy aired on the PBS stations (where I've seen it twice) is frayed so badly that some sequences are very tough to see.
Nevertheless, if you're a student of mankind, Die Dreigroschenoper is one you will not wish to miss!
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