Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
Antinea. the Queen of Atlantis, rules her secret kingdom hidden beneath the Sahara Desert. One day two lost explorers stumble into her kingdom, and soon realize that they haven't really ... See full summary »
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of ... See full summary »
Prologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story. "Boss", a former trapeze artist, and his wife own a cheap ... See full summary »
Ewald André Dupont
Lya De Putti
After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal ... See full summary »
William A. Wellman
In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she... See full summary »
In London at the turn of the century, the bandit Mack the Knife marries Polly without the knowledge of her father, Peachum, the 'king of the beggars'. Written by
Brian rawnsley <email@example.com>
Pabst filming of Brecht Masterpiece Still The Best
Hard-biting cynicism of governments, crooks, the bourgeoisie, misanthropy, and corruption is as stingingly appropriate today as it was in 1931. The leads are well cast and well executed as gangster Mack the Knife and his bride don't care whose feathers they ruffle. However, both take a backseat to Lotte Lenya's unforgettable portrayal of Pirate Jenny which has stood for 70+ years at finest revenge-dream sequence ever filmed.
Eerily, one of the sycophantic government stooges is a dead-ringer for Donald Rumsfeld. The incomparable Weill score is reason enough to watch this richly textured, ahead-of-its-time operetta. One thing -- this would be a great candidate for restoration because the copy aired on the PBS stations (where I've seen it twice) is frayed so badly that some sequences are very tough to see.
Nevertheless, if you're a student of mankind, Die Dreigroschenoper is one you will not wish to miss!
13 of 18 people found this review helpful.
Was this review helpful to you?