A group of German infantrymen of the First World War live out their lives in the trenches of France. They find brief entertainment and relief in a village behind the lines, but primarily ... See full summary »
Georg Wilhelm Pabst
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drown. That same day,... See full summary »
Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took ... See full summary »
In London at the turn of the century, the bandit Mack the Knife marries Polly without the knowledge of her father, Peachum, the 'king of the beggars'. Written by
Brian rawnsley <firstname.lastname@example.org>
For those who try and translate the title as "The Three Dime Opera" or the "Thirty-Cent Opera," it should be noted that German title "Die 3 Groschen-Opera" translates very well into English as the "Threepenny Opera." 3d (Threepence) in the UK was, in pre-decimal times (pre-1971), the closest equivalent to 3% of a pound. (There were 240 pence in the pound, not 100) See more »
You too wish to be part of this splendid occasion. You, poorest of the poor, who'd long ago have perished in the sewers of Turnbridge if I hadn't spent sleepless nights devising a way to wring a few pence out of your poverty. For I've shown that the rich of this world have no qualms about causing misery but can't bear the sight of it. They have hard hearts but weak nerves. Well, we won't spare their nerves today! By the thousands we'll tear at their nerves, for our rags do not conceal our ...
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In the last few years before Nazi power overtook the German film industry, Kurt Weill's operetta reached the screen in this effective and well-cast version. Notable for including Lotte Lenya (Weill's wife) as Jenny, it is funny, memorable, imaginatively filmed, and despite the language barrier, does justice to the songs enshrined in popular culture such as Mack the Knife'.
A giant of early European talkies, this musical has much to recommend to a viewer looking at it after seven decades. An adaptation with songs of John Gay's The Beggar's Opera', it deals with the underworld of crooks, moneylenders, and cut-throats.
Chief of note in the varied cast are Rudolf Forster as Mackie, Carola Neher as Polly, Fritz Rasp as Peachum, and Ernst Busch as the Street Singer. This movie is one of bitterness and foreboding, and it is excellent.
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