| Carlos Villarías | ... | Conde Drácula (as Carlos Villar) | |
| Lupita Tovar | ... | Eva Seward | |
| Barry Norton | ... | Juan Harker | |
| Pablo Álvarez Rubio | ... | Renfield | |
| Eduardo Arozamena | ... | Prof. Van Helsing | |
| José Soriano Viosca | ... | Doctor Seward | |
| Carmen Guerrero | ... | Lucía Weston | |
| Amelia Senisterra | ... | Marta | |
| Manuel Arbó | ... | Martín | |
| rest of cast listed alphabetically: | |||
| Geraldine Dvorak | ... | Bride of Dracula (in catacombs) (archive footage) (uncredited) | |
| Bela Lugosi | ... | Conde Drácula (archive footage) (uncredited) | |
| Cornelia Thaw | ... | Bride of Dracula (in catacombs) (archive footage) (uncredited) | |
| Dorothy Tree | ... | Bride of Dracula (in catacombs) (archive footage) (uncredited) | |
Directed by | |||
| George Melford | |||
| Enrique Tovar Ávalos | (uncredited) | ||
Writing credits | ||
| Bram Stoker | (novel "Dracula") | |
| Hamilton Deane | (play "Dracula") uncredited & | |
| John L. Balderston | (play "Dracula") uncredited | |
| Garrett Fort | (play script) uncredited | |
| Dudley Murphy | (additional dialogue) uncredited | |
| Baltasar Fernández Cué | (Spanish adaptation) (as B. Fernandez Cue) | |
Produced by | |||
| Paul Kohner | .... | associate producer | |
| Carl Laemmle Jr. | .... | producer | |
Cinematography by | |||
| George Robinson | |||
Film Editing by | |||
| Arthur Tavares | (as Arturo Tavares) | ||
Art Direction by | |||
| Charles D. Hall | |||
Second Unit Director or Assistant Director | |||
| Charles S. Gould | .... | assistant director (uncredited) | |
| Jay Marchant | .... | assistant director (uncredited) | |
Sound Department | |||
| C. Roy Hunter | .... | recording supervisor | |
Editorial Department | |||
| Maurice Pivar | .... | supervising editor | |
Music Department | |||
| Heinz Roemheld | .... | conductor (uncredited) | |
| Heinz Roemheld | .... | music supervisor (uncredited) | |
Other crew | |||
| Carl Laemmle | .... | presenter | |
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| Dracula | Dracula | Dracula | Dracula: Dead and Loving It | Dracula's Daughter |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
The Spanish-language Drácula (1931) is frequently said to be better than the simultaneously shot, English-language Dracula. I find this odd.
The performances of Villarías, Rubio, and Arozamena are much less affecting than those of Lugosi, Frye, and Sloan. I'll readily grant that Rubio's behavior is more like than of a typical madman than is Frye's, but *realism* precludes vampires in the first place.
The acting of some of the bit players in Drácula is poor. The lighting is simply thoughtless illumination. Continuity is ignored *ab initio*; for example, does Conde Drácula emerge from the coffin of Count Dracula (as shot by Freund or Browning), or from a packing crate?
There are various points at which Drácula *is* better than Dracula. Holes in the script of Dracula are generally plugged in Drácula. While Sloan's acting is superior to that of Arozamena, the English-language script requires him to be unbelievably ineffectual. (Watch Sloan pause on the steps to explain that there is no time to lose, and then continue *walking*!)