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Directed by | |||
| Tod Browning | |||
| Karl Freund | (uncredited) | ||
Writing credits | ||
| Bram Stoker | (by) | |
| Hamilton Deane | (from the play adapted by) & | |
| John L. Balderston | (from the play adapted by) | |
| Garrett Fort | (play script) | |
| Louis Bromfield | contributing writer (uncredited) | |
| Tod Browning | uncredited | |
| Max Cohen | titles (uncredited) | |
| Dudley Murphy | additional dialogue (uncredited) | |
| Louis Stevens | contributing writer (uncredited) | |
Produced by | |||
| E.M. Asher | .... | associate producer | |
| Tod Browning | .... | producer | |
| Carl Laemmle Jr. | .... | producer | |
Original Music by | |||
| Philip Glass | (1999) | ||
Cinematography by | |||
| Karl Freund | |||
Film Editing by | |||
| Milton Carruth | (film editor) | ||
Casting by | |||
| Phil M. Friedman | (uncredited) | ||
Production Design by | |||
| John Hoffman | (uncredited) | ||
| Herman Rosse | (uncredited) | ||
Art Direction by | |||
| Charles D. Hall | |||
Set Decoration by | |||
| Russell A. Gausman | (uncredited) | ||
Costume Design by | |||
| Ed Ware | (uncredited) | ||
| Vera West | (uncredited) | ||
Makeup Department | |||
| Jack P. Pierce | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Scott R. Beal | .... | first assistant director (uncredited) | |
| Herman Schlom | .... | second assistant director (uncredited) | |
Art Department | |||
| John Hoffman | .... | set designer (uncredited) | |
| Charles A. Logue | .... | scenic artist (uncredited) | |
| Herman Rosse | .... | set designer (uncredited) | |
Sound Department | |||
| C. Roy Hunter | .... | recording supervisor | |
| Jack Bolger | .... | boom operator (uncredited) | |
| Jack Foley | .... | foley artist (uncredited) | |
| William Hedgcock | .... | sound mixer (uncredited) | |
Visual Effects by | |||
| Brian J. McNamara | .... | digital restoration artist (remastered version) | |
| Frank H. Booth | .... | photographic effects (uncredited) | |
| William Davidson | .... | miniatures (uncredited) | |
| John P. Fulton | .... | matte artist (uncredited) | |
Camera and Electrical Department | |||
| Frank H. Booth | .... | second assistant camera (uncredited) | |
| Joseph Brotherton | .... | director of photography: second unit (uncredited) | |
| Roman Freulich | .... | still photographer (uncredited) | |
| King D. Gray | .... | first assistant camera (uncredited) | |
Editorial Department | |||
| Maurice Pivar | .... | supervising film editor | |
Music Department | |||
| Heinz Roemheld | .... | conductor (uncredited) | |
| Heinz Roemheld | .... | music supervisor (uncredited) | |
Other crew | |||
| Carl Laemmle | .... | presenter | |
| Carl Laemmle | .... | president: Universal Pictures Corporation | |
| Max Cohen | .... | title designer (uncredited) | |
| Nan Grant | .... | researcher (uncredited) | |
| Charles Logue | .... | scenario supervisor (uncredited) | |
| Dudley Murphy | .... | continuity (uncredited) | |
| Aileen Webster | .... | script supervisor (uncredited) | |
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| Drácula | Dracula | Dracula | Horror of Dracula | Nosferatu the Vampyre |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The real estate agent Remfield (Dwight Frye) travels to Transilvania for a business meeting with Count Dracula (Bela Lugosi), who is interested in Carfax Abbey in London. Remfield is converted in a servant of Dracula and prepares his master's ship travel to his new a property. While navigating, Dracula sucks the blood and kills all the crew of the vessel. Once in London, Dracula sucks the blood of Lucy Weston (Frances Dade) and she becomes an undead. He feels also a kind of passion for Mina Seward (Helen Chandler), the daughter of Dr. Jack Seward (Herbert Bunston) and fiancée of Jonathan Harker (David Manners). Draculas sucks her blood, Mina has a weird behavior and health problem, and Dr. Seward calls a specialist, Prof. Abraham Van Helsing (Edward Van Sloan), to diagnose the mysterious problem with Mina. Although being a scientist, Van Helsing believes in supernatural, and tries to save Mina from becoming a vampire. "Dracula" is a spectacular well-known classic vampire story, with a magnificent transposition of the Bram Stoker's novel to the cinema. Although being a 1931 black and white movie, the photography and the camera work are excellent. There are at least two magnificent scenes: the long traveling of the camera in the sanatorium, from the yard to Remfield's room and the long stairway in the end of the movie to Dracula's tomb. The performances are quite theatrical, as usual in that period, and the film does not show any explicit violent scene. I dare to say that probably it is Bela Lugosi's best performance. "Universal Studios" released in Brazil a wonderful box, with the shape of a coffin, called "Classic Monster Collection" with eight classic horror movies on DVD. Maybe "Dracula" is may favorite one. My vote is ten.
Title (Brazil): "Drácula"