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Directed by | |||
| Tod Browning | |||
| Karl Freund | (uncredited) | ||
Writing credits | ||
| Bram Stoker | (by) | |
| Hamilton Deane | (from the play adapted by) & | |
| John L. Balderston | (from the play adapted by) | |
| Garrett Fort | (play script) | |
| Louis Bromfield | contributing writer (uncredited) | |
| Tod Browning | uncredited | |
| Max Cohen | titles (uncredited) | |
| Dudley Murphy | additional dialogue (uncredited) | |
| Louis Stevens | contributing writer (uncredited) | |
Produced by | |||
| E.M. Asher | .... | associate producer | |
| Tod Browning | .... | producer | |
| Carl Laemmle Jr. | .... | producer | |
Original Music by | |||
| Philip Glass | (1999) | ||
Cinematography by | |||
| Karl Freund | |||
Film Editing by | |||
| Milton Carruth | (film editor) | ||
Casting by | |||
| Phil M. Friedman | (uncredited) | ||
Production Design by | |||
| John Hoffman | (uncredited) | ||
| Herman Rosse | (uncredited) | ||
Art Direction by | |||
| Charles D. Hall | |||
Set Decoration by | |||
| Russell A. Gausman | (uncredited) | ||
Costume Design by | |||
| Ed Ware | (uncredited) | ||
| Vera West | (uncredited) | ||
Makeup Department | |||
| Jack P. Pierce | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Scott R. Beal | .... | first assistant director (uncredited) | |
| Herman Schlom | .... | second assistant director (uncredited) | |
Art Department | |||
| John Hoffman | .... | set designer (uncredited) | |
| Charles A. Logue | .... | scenic artist (uncredited) | |
| Herman Rosse | .... | set designer (uncredited) | |
Sound Department | |||
| C. Roy Hunter | .... | recording supervisor | |
| Jack Bolger | .... | boom operator (uncredited) | |
| Jack Foley | .... | foley artist (uncredited) | |
| William Hedgcock | .... | sound mixer (uncredited) | |
Visual Effects by | |||
| Brian J. McNamara | .... | digital restoration artist (remastered version) | |
| Frank H. Booth | .... | photographic effects (uncredited) | |
| William Davidson | .... | miniatures (uncredited) | |
| John P. Fulton | .... | matte artist (uncredited) | |
Camera and Electrical Department | |||
| Frank H. Booth | .... | second assistant camera (uncredited) | |
| Joseph Brotherton | .... | director of photography: second unit (uncredited) | |
| Roman Freulich | .... | still photographer (uncredited) | |
| King D. Gray | .... | first assistant camera (uncredited) | |
Editorial Department | |||
| Maurice Pivar | .... | supervising film editor | |
Music Department | |||
| Heinz Roemheld | .... | conductor (uncredited) | |
| Heinz Roemheld | .... | music supervisor (uncredited) | |
Other crew | |||
| Carl Laemmle | .... | presenter | |
| Carl Laemmle | .... | president: Universal Pictures Corporation | |
| Max Cohen | .... | title designer (uncredited) | |
| Nan Grant | .... | researcher (uncredited) | |
| Charles Logue | .... | scenario supervisor (uncredited) | |
| Dudley Murphy | .... | continuity (uncredited) | |
| Aileen Webster | .... | script supervisor (uncredited) | |
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| Drácula | Dracula | Dracula | Horror of Dracula | Nosferatu the Vampyre |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
It's almost impossible not to love 'Dracula', a horror milestone that is the most important and influential vampire movie ever made. Bela Lugosi became a cinematic legend after this movie, and his portrayal of Dracula basically invented the modern vampire as we know it. Murnau's silent classic 'Nosferatu' was an obvious influence on Todd Browning, but while Browning was no James Whale (the innovative British director who made 'Frankenstein' for Universal a few months after this) he added a lot of his own style and ideas to the project, and Counts Orloff and Dracula are completely different kinds of creatures. Lugosi made his Count sophisticated, attractive and sexy, and this is what made this movie such a sensation at the time, and what helps make it still a wonderful viewing experience. Lugosi's performance is one of the greatest in horror history. Some of the other actors in the cast are a bit shaky but Edward Van Sloan as Van Hesling is excellent and Dwight Frye's Renfield (a different character from the book) is also memorable. Both actors would reappear in 'Frankenstein'. 'Dracula' is an important landmark horror movie, but even better, is still a fantastic viewing experience seventy years later. Don't just watch it because it's a classic, watch it because it's wonderful entertainment!