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Dishonored (1931)

 -  Drama | Music | War  -  4 April 1931 (USA)
7.4
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Ratings: 7.4/10 from 985 users  
Reviews: 20 user | 11 critic

The Austrian Secret Service sends its most seductive agent to spy on the Russians.

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(screenplay), (screenplay), 1 more credit »
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Title: Dishonored (1931)

Dishonored (1931) on IMDb 7.4/10

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Cast

Complete credited cast:
...
Marie Kolverer / X27
...
Colonel Kranau
Gustav von Seyffertitz ...
Austrian Secret Service Chief
...
Colonel von Hindau
Lew Cody ...
Colonel Kovrin
Barry Norton ...
Young Lieutenant - Firing Squad
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Storyline

The Austrian Secret Service sends its most seductive agent to spy on the Russians.

Plot Summary | Add Synopsis

Taglines:

Can a Woman Kill a Man With Who She Has Known a Night of Love ?

Genres:

Drama | Music | War

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

4 April 1931 (USA)  »

Also Known As:

Entehrt  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

The role of Col. Kranau was offered to Gary Cooper, but he turned it down because he did not want to work with director Josef von Sternberg again. See more »

Connections

Featured in Marlene Dietrich: Her Own Song (2001) See more »

Soundtracks

Donauwellen (Danube Waves)
(Basis for "Anniversary Song")
Written by Iosif Ivanovici
Played on piano by Gustav von Seyffertitz
Reprised on piano by Marlene Dietrich several times
Played as background music at the end
See more »

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User Reviews

 
Under-rated von Sternberg
25 December 2005 | by (United States) – See all my reviews

Having just viewed this movie for the first time, I must say that from what I've seen written about Dishonored it seems somewhat unappreciated. While perhaps not a masterpiece on the level of other von Sternberg/Dietrich pairings, such as the two greats The Blue Angel and Blonde Venus, like them both it oozes with the unmistakable marks of its director: the stark dialogue, the lavish attention to atmosphere (such as all the wonderful interiors), and a pervading sense of marvelous oddness. Von Sternberg shows us that the real triumph of his cinema is not one of the reality it affords, but one of style, of which Dishonored has enough to spare.


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