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Dishonored (1931)

 -  Drama | Music | War  -  4 April 1931 (USA)
7.4
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Ratings: 7.4/10 from 1,006 users  
Reviews: 20 user | 11 critic

The Austrian Secret Service sends its most seductive agent to spy on the Russians.

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(screenplay), (screenplay), 1 more credit »
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Title: Dishonored (1931)

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Cast

Complete credited cast:
...
Marie Kolverer / X27
...
Colonel Kranau
Gustav von Seyffertitz ...
Austrian Secret Service Chief
...
Colonel von Hindau
Lew Cody ...
Colonel Kovrin
...
Young Lieutenant - Firing Squad
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Storyline

The Austrian Secret Service sends its most seductive agent to spy on the Russians.

Plot Summary | Add Synopsis

Taglines:

Can a Woman Kill a Man With Who She Has Known a Night of Love ?

Genres:

Drama | Music | War

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

4 April 1931 (USA)  »

Also Known As:

Entehrt  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

The role of Col. Kranau was offered to Gary Cooper, but he turned it down because he did not want to work with director Josef von Sternberg again. See more »

Connections

Referenced in World on a Wire (1973) See more »

Soundtracks

Donauwellen (Danube Waves)
(Basis for "Anniversary Song")
Written by Iosif Ivanovici
Played on piano by Gustav von Seyffertitz
Reprised on piano by Marlene Dietrich several times
Played as background music at the end
See more »

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User Reviews

 
A giddy joy
21 December 2009 | by (United Kingdom) – See all my reviews

It is best to write first about von Sternberg's aesthetic as some have not grasped it so well in my opinion. When I first watched his "The Scarlet Empress" my initial feeling was that it was very silly; as a historical portrait of Catherine the Great of Russia it's ludicrous, in every palace scene these grotesque and implausible Russian Orthodox inspired gargoyles and paraphernalia loom out of the darkness. The palace sets reek of congenital insanity and cobwebbed decay that is decadently overblown. This is not the point though, for what we are seeing is not Tsarist Russia, but childhood dreams of Tsarist Russia. Who as a child if they read of Rasputin or Mata Hari, or Jack the Ripper didn't fully over-egg the pudding in their mind? My favourite dream is of an insomniac Russian court listening to those inestimable gifts of Bach, the Goldberg variations. You will never see my fever dream as I am not Josef von Sternberg, one of the greatest artistic geniuses (I really mean that word) of the Twentieth century.

Dishonored I am told is the least of the Dietrich/Sternberg collaborations, if that is so, then it is the least of the great peaks of the Himalayas in filmic terms. It is almost pure dreamscape. The film is in some respects an elaborate parry and thrust duello between Dietrich's X-27 and Victor McLaglen's Colonel Kranau, an Austrian and a Russian spy during The Great War.

It has been said that McLaglen was miscast in this movie. That for me is palpably false. McLaglen is mainly known for his stock character roles in John Ford movies, usually playing slightly oafish but well-meaning fellows. It may be the case that folks have been unable to disentangle that persona from what they saw in this film. My own personal blind spot is that I can only see Norman Bates when I see an Anthony Perkins movie, which ruins them every time. For me Victor's smile, which is all you see in the masked ball, is perfect for the role, his lifestyle and way with the women positively makes James Bond look like a rank amateur. There is an almost balletic moment in Dietrich's (why not say Dietrich when we are dealing with such an artificial delight?) bedroom where Victor effortlessly catches her hand as she whirls away from him; how can a movie be so controlled yet seemingly effortless? What this film leaves you with, which is the way of life of both Kranau and X-27, is the feeling of being neither afraid of life nor of death. These are two super-people leading exorbitantly fulfilled existences. Frankly I was overcome by this film. The masked ball, with Kranau grinning and hobbling away on his crutches will stay with me until I am dribbling and senile.

It is right and honest and proper to dedicate something you enjoyed doing. So I dedicate this review to Claire B, who is wonderful.


5 of 5 people found this review helpful.  Was this review helpful to you?

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