Haines plays the role of a festive British nobleman, for whom a marriage has been arranged by his relatives. He goes to a European Summer resort and poses as a gigolo to meet the girl ...
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Haines plays the role of a festive British nobleman, for whom a marriage has been arranged by his relatives. He goes to a European Summer resort and poses as a gigolo to meet the girl chosen, learn what she's like and to apply the "acid test". Written by
Richard Unger <DECOCHASER@aol.com>
Though Cedric Gibbons is credited as the art director of this film, this was part of his contract with MGM, where all films produced by the studio bore his name. The art direction was actually the work of the film's star, William Haines, who would soon leave acting to pursue what would become a highly successful, decades-long career as an interior designer. See more »
Watch It for the sets, Irene Purcell and the old folks
William Haines is not believable as a "straight man" in this movie, despite what others think, and so there is no sexual frisson between him and Irene Purcell. They are as brother and sister, but what a sister she is! Really quite contemporary in her deportment, she fascinated me with her performance. As others noted, she came and went
perhaps her interpretations were just too far advanced. But the movie
was a hit, and I think she carries Haines through, with her "needy sister" act to his absolutely dispassionate comportment with her. Anyway, one reviewer says Haines had a hand in the set design, and if you love "geometric Deco" (as I do), they are to die for. I kept pausing and studying the sheer complexity of the opening set - way, way cool. And the old folks, C. Aubrey Smith, and Charlotte Granville, are great as Brits who know how to let their youth evolve. A quite amusing scene when the two react to the "sex book" that the young folk are reading. Some things never change. A refreshing move, even if Haines only really engages with the other men and is too much the buffoon with the women for my liking.
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