Valentine Winters goes to Paris to meet the divorced mother she has never known. She becomes involved with dissipated Tony and when their car rolls over is saved by Harvard footballer Bob. ... See full summary »
After her father Stanley Jordan loses his wealth in market, Bonnie goes to work as a cub reporter. Her brother Rodney is the wheel man in a gangland massacre. Bert, a reporter on Bonnie's paper, is murdered while investigating. Bonnie gets to know gang leader Jake Luva and learns how the gang works and that her brother is involved. By the time it's over her wealthy friend Bob sees how wonderful she is and falls in love with her for good. Written by
Ed Stephan <email@example.com>
In real life, the St. Valentine's Day Massacre occurred on February 14, 1929 while the Stock Exchange Crash happened on October 29, 1929. In this film the Crash occurs first. See more »
When Rodney comes into the yacht cabin to find Bonnie blow-drying her hair, she looks up at him and her hair is a frizzy mess. In the very next shot, her hair is perfectly styled. See more »
[Advising Bonnie on being a reporter]
You'll learn, Kid... cleanliness... condensation... where, what, when, and why... that's the idea. Say, don't let those guys on the copy desk bother yuh. They're just a bunch of butchers at heart. Why, do you know what they'd do if they got a chance?
They'd cut the Lord's Prayer down to a one line squib.
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Don't listen to fuddy-duddy critics on this one, this is a gem! Young rich Joan and her brother find themselves penniless after their father dies - and now they have to work for a living! She, naturally, becomes a reporter, and he, just as naturally, a driver for the mob! By wild co-incidences their careers meet head on, thanks to gangster Clark Gable. In the meantime there is the chance for a moonlight underwear swim for a bunch of pretty young things and for Joan to do a couple of risque dance numbers (with all the grace of a steam-shovel).
But none of this is supposed to be taken seriously - it's all good fun from those wonderful pre-code days, when Hollywood was really naughty. Joan looks great, and displays much of the emotional range that would give her career such longevity (thank God she stopped the dancing!). Gable is remarkable as a slimy gangster - he wasn't a star yet and so didn't have to be the hero. Great to see him playing something different. And William Bakewell is excellent as the poor confused brother. And there are some great montages and tracking shots courtesy of director Harry Beaumont, who moves the piece on with a cracking pace - and an occasional wink to the audience! Great fun!
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