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An Arab prince born and raised in the desert and a beautiful Frenchwoman from Paris fall in love and marry, but the tremendous differences in their backgrounds and the cultural differences between their two different societies put strains on their marriage that may well prove irreparable.
A wily D.A.(Brady) gets a 10 year conviction of a young 20 year old (Robert Graham)who he knows killed a man in self defense. Years later Brady becomes warden of the prison holding Graham. When Brady realizes that 6 years of working in the prison jute mill has pushed Graham to the breaking point, he gives him a chance- a new job as his valet. Graham responds well and earns the respect of both the warden and his beautiful daughter. Graham's mettle is put to the test when he stumbles onto a prison murder committed by his cell-mate. He must choose between the criminal code of silence and the warden's strong persuasion to reveal the killer. Written by
Gary Jackson <firstname.lastname@example.org>
"The Criminal Code" is centered around the theme "An Eye for An Eye." This theme is the reason that young Robert Graham is sent to prison, the reason why the prisoners object to the D.A. becoming the Warden of the prison, and the reason why Graham is sent to "the hole" near the end of the film. For 1931, it was one of the first critical looks at this theme. It raises certain questions as to the morals of the law, and the Criminal Code versus the Prisoners Code. Phillips Holmes gives a good enough performance as Robert Graham, and Boris Karloff came off well as the inmate with a bone to pick (months before becoming Frankenstein), but the performance that I liked the most was Walter Huston, who played the D.A.-turned-prison-warden. Huston's character was a wily one, who said "Yeah" and "Yeah?" about a hundred times throughout the film.
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