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Cracked Nuts (1931)

Passed  -  Comedy | Romance  -  18 April 1931 (USA)
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Ratings: 6.3/10 from 143 users  
Reviews: 9 user | 4 critic

To impress his fiancee's aunt, a young man tries to become king in a small kingdom, but the people there have already crowned one, who has won this honor by gambling. So he plans a coup ... See full summary »


(as Edward Cline)


(dialogue), (dialogue), 2 more credits »
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Complete credited cast:
Bert Wheeler ...
Robert Woolsey ...
Zander Ulysses Parkhurst
Dorothy Lee ...
Betty Harrington
Edna May Oliver ...
Aunt Minnie Van Varden
Leni Stengel ...
Queen Carlotta
Stanley Fields ...
General Bogardus
Boris - First Revolutionary
Frank Thornton ...


To impress his fiancee's aunt, a young man tries to become king in a small kingdom, but the people there have already crowned one, who has won this honor by gambling. So he plans a coup d'etat. He tries to achieve this with a bomb, but then something goes wrong... Written by Stephan Eichenberg <>

Plot Summary | Add Synopsis

Plot Keywords:

king | aunt | minister | wedding | scam | See All (23) »


Comedy | Romance






Release Date:

18 April 1931 (USA)  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.20 : 1
See  »

Did You Know?


Minnie Van Arden: I have an idea you broke into this apartment.
Wendell Graham: No man with any sense would do a thing like that!
Minnie Van Arden: How do you know what a man with any sense would do?
Wendell Graham: Well, you've got me there.
Minnie Van Arden: Don't stand there acting like a fool!
Wendell Graham: I'm not acting.
See more »


(1931) (uncredited)
Music by Harry Tierney
Lyrics by Ray Egan
Sung and Danced by Bert Wheeler and Dorothy Lee
See more »

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User Reviews

Provided you like comedies with very few laughs, then perhaps this film is for you
13 December 2007 | by (Bradenton, Florida) – See all my reviews

The film began with Wheeler sneaking into the apartment of his girlfriend. Her aunt (Edna May Oliver--a person too talented for this film) didn't like Wheeler--a sentiment I can easily relate to. The aunt decided to take this bland young lady abroad to get her away from Wheeler. They left and Wheeler invested in a revolution in a small mythical kingdom because they promised to make him their king. At about the same time, Woolsey was in the same small mythical kingdom and he was made king. So when Wheeler arrived, it was up to the boys to fight it out, but they refused because they are already friends--which greatly disappointed the people, as killing and replacing kings is a national pastime.

I am a huge fan of comedy from the Golden Age of Hollywood--the silent era through the 1940s. I have seen and reviewed hundreds, if not thousands of these films and yet despite my love and appreciation for these films I have never been able to understand the appeal of Wheeler and Woolsey--the only comedy team that might be as bad as the Ritz Brothers! Despite being very successful in their short careers in Hollywood (cut short due to the early death of Robert Woolsey), I can't help but notice that practically every other successful team did the same basic ideas but much better. For example, there were many elements of this film reminiscent of the Marx Brother's film, DUCK SOUP, yet CRACKED NUTS never made me laugh and DUCK SOUP was a silly and highly enjoyable romp. At times, Woolsey talked a bit like Groucho, but his jokes never have punchlines that even remotely are funny! In fact, he just seemed to prattle pointlessly. His only funny quality was that he looked goofy--surely not enough reason to put him on film. Additionally, Wheeler had the comedic appeal of a piece of cheese--a piece of cheese that sang very poorly! A missed opportunity was the old Vaudeville routine later popularized by Abbott and Costello as "who's on first" which was done in this film but it lacked any spark of wit or timing. In fact, soon after they started their spiel, they just ended the routine--so prematurely that you are left frustrated. I knew that "who's on first" had been around for many years and used by many teams, but I really wanted to see Wheeler and Woolsey give it a fair shot and give it their own twist.

Once again, I have found yet another sub-par film by this duo. While I must admit that I liked a few of their films mildly (such as SILLY BILLIES and THE RAINMAKERS--which I actually gave 6's to on IMDb), this one was a major endurance test to complete--something that I find happens all too often when I view the films of Wheeler and Woolsey. Where was all the humor?!

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