Actress Judy Carroll, from the gas-house district has been trained, educated and developed so well by her manager, that not even the publicity-seeking world of the theater has guessed her ... See full summary »
Dowdy Sylvia accepts her boss' marriage proposal, even though he only asked her to avoid marriage to another woman. As a wealthy wife, Sylvia changes from ugly duckling to uninhibited swan ... See full summary »
Hard-hitting news editor Jim Branch falls for high-society type Sharon Norwood but can't get to first base as he continually makes use of her knowledge of the rich and famous to try to ... See full summary »
Robert Z. Leonard
Lorry and Minnie are ex-hookers who leave prison, determined to find the good life with rich men. Along the way Lorry meets and falls in love with cotton barge owner Dan. She must choose ... See full summary »
Gregory La Cava
Gold-diggers Kay Francis and Lilyan Tashman meet susceptible lonely businessmen at conventions in this ribald preproduction code story. The millionaires lavish the girls with expensive ... See full summary »
Dorothy Hunter is an heiress of untold wealth. She believes no one will love her for herself and not for her money, so she pretends to be her secretary Sylvia while Sylvia pretends to be ... See full summary »
When two halves of a thousand-dollar bill are discovered in the snow, the penniless pair that individually grabs each half must come to terms. Actress Julia Wayne needs the whole $1,000, ... See full summary »
"The Common Law," a rather common film for its time, begins with the driving, climactic music of Ferde Grofe's "Metropolis" over the opening credit roll followed by stock footage of Paris. The drama goes downhill from there. This is the old story of the fallen woman who must win the respect of the upright man in her life. The woman in this case is the stylish Constance Bennett, who unfortunately is draped too often in backless gowns which reveal the least attractive portion of her anatomy. She has just broken off a common law arrangement with an older man (Lew Cody, in a convincing portrait of aging dissipation) when she is hired as a model by a wealthy young American expatriate painter (Joel McCrea). Predictably, the young people fall in love but are forced to part when her tainted past becomes known via the gossip circuit. Among the unsavory tattlers are McCrea's plummy older sister (Hedda Hopper) and an alcoholic party boy (the entertaining Robert Williams). The resolution comes about as it always does in these fallen women pix, after much talk, flattering close-ups of the comely young stars and at least one extended scene at a social gathering, usually a night club or house party with lots of live music.
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