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A homicide detective is having a very bad day. Internal affairs are ransacking his desk, his daughter is demanding chocolate cake, he’s been pulled over for a DUI and he’s got a body stashed in his boot. And he’s on his way to his mother’s funeral! And his damn phone won’t stop ringing! And his shoelaces have snapped!
No wonder he’s frazzled.
Detective Ko Gun-soo’s (Lee Sun Gyun) litany of disaster begins with a hit and run. To his credit, his first instinct is to report it, but just as he’s dialling the emergency services his his daughter calls with demands for cake. He’s in shock and mildly freaked out by the sight of a cop car heading his way. Then he makes the first of several bad decisions; dragging the bloody body off the road, wrapping it in a sleeping »
- David James
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly Ioncinephile profile, we ask the filmmaker (in this case American independent writer-director Zachary Wigon) to identify their all time top ten favorite films of all time. Wigon’s The Heart Machine (see pic of actor John Gallagher Jr above) receives a limited theatrical and VOD release on October 24th via the Film Buff folks. This top 10 is a countdown folks. Drum roll please!
“The deep pathos of pretending to be someone you’re not so that you may win over your love is taken, here, to heights alternatively comic and tragic, with the greatest closing shot in all of cinema.”
9. Goodbye, Dragon Inn – Tsai Ming-liang (2004)
“The loneliness of being a person, the desire to connect to each other through our behavior and through art, »
- Eric Lavallee
Throughout the summer, an admin on the r/movies subreddit has been leading Reddit users in a poll of the best movies from every year for the last 100 years called 100 Years of Yearly Cinema. The poll concluded three days ago, and the list of every movie from 1914 to 2013 has been published today.
Users were asked to nominate films from a given year and up-vote their favorite nominees. The full list includes the outright winner along with the first two runners-up from each year. The list is mostly a predictable assortment of IMDb favorites and certified classics, but a few surprise gems have also risen to the top of the crust, including the early experimental documentary Man With a Movie Camera in 1929, Abel Gance’s J’Accuse! in 1919, the Fred Astaire film Top Hat over Alfred Hitchcock’s The 39 Steps in 1935, and Stanley Kubrick’s The Killing over John Ford’s »
- Brian Welk
On the opening day of the 41st Telluride Film Festival, it was possible to spend several hours immersed in "Apocalypse Now", which received a special tribute, 35 years after its initial release in 1979. The 650-seat Werner Herzog Theatre was sold out. So many were turned away that a request I'd never heard before was made, and obeyed, for City Lights passholders (a special program for high school students and teachers) to vacate their seats, leading one of my seatmates to observe that there went the most likely candidates in the audience who had never seen "Apocalypse Now" on the big screen. I said I'd probably have hidden my pass and scrunched down in my seat. Luckily another screening was already scheduled in the 500-seat Chuck Jones Cinema for the following morning at 8:30 a.m. The movie has never looked better -- nor sounded better, thanks to the amazing Meyer Sound »
- Meredith Brody
Bill Hader has come a long way since his stint on Saturday Night Live, creating many popular characters and impersonations such as Stefon, Vincent Price and CNN’s Jack Cafferty. He is one of the highlights in such films as Adventureland, Knocked Up, Superbad and Pineapple Express, and so it is easy to see why author Mike Sacks interviewed him for his new book Poking A Dead Frog. In it, Hader talks about his career and he also lists 200 essential movies every comedy writer should see. Xo Jane recently published the list for those of us who haven’t had a chance to read the book yet. There are a ton of great recommendations and plenty I haven’t yet seen, but sadly my favourite comedy of all time isn’t mentioned. That would be Some Like It Hot. Still, it really is a great list with a mix of old and new. »
Like the glorious, overripe Michel Legrand score lavished over an otherwise quiet affair, there’s something knowingly, beguilingly out of time about “The Price of Fame,” . Xavier Beauvois’ first film since 2010’s somber Cannes Grand Prix winner “Of Gods and Men” — and the first comic outing of his career — riffs jovially on the true 1978 story of two blue-collar immigrants in small-town Switzerland who exhumed Charlie Chaplin’s remains in a botched ransom attempt. Facts have been liberally altered, however, to suit Beauvois’ conception of the tale as a human comedy worthy of the Little Tramp himself. Wry, sentimental and carried with shaggy charm by Benoit Poelvoorde and Roschdy Zem as the lovable crooks, “Fame” should parlay its helmer’s cachet and the universality of the Chaplin connection into widespread arthouse exposure.
Overlength is the principal failing of a film that otherwise negotiates the balance between whimsy and gravitas with considerable »
- Guy Lodge
The 27th Tokyo International Film Festival (Tiff) has announced a seven-year collaboration with the Japan Foundation that includes co-producing a pan-Asian omnibus series.
UniJapan and the Japan Foundation are set to hold Film Culture Exchange Projects linking Japan and other Asian countries at Tiff for the next seven years.
Firstly, this year Tiff will launch Crosscut Asia, a showcase of Asian films that will focus on particular countries, filmmakers, actors and themes. In its first year, Crosscut Asia will focus on new Thai films. The line-up will be announced Sept 30 with the rest of the Tiff selection.
Secondly, Japan Foundation Asia Center will present the Spirit of Asia Award to one film from the Asian Future section for up-and-coming directors. The winning production team will get a trophy and a trip to Japan, or, in the case of a Japanese winner, an invitation to travel to other Asian countries.
Lastly, Japan Foundation »
- email@example.com (Jean Noh)
Tokyo – Yasushi Shiina, new head of the Tokyo International Film Festival, has unveiled a seven-year initiative to promote Asian films and nurture Asian film professionals.
Festival officials announced the outreach initiative Tuesday as part of plans for the 27th edition of the festival which will unspool Oct. 23-31 at Roppongi Hills and other locations in the Japanese capital. It will work closely with the Japan Foundation and the film promotion organization UniJapan.
One initiative, Crosscut Asia is a showcase focusing on films from Asian countries, directors and actors. The inaugural section will highlight Thai films, with titles to be announced on Sept. 30, along with the rest of the festival line-up.
Another is Asian Three-Fold Mirror, a project to coproduce an omnibus film with one new director from Japan and two from the rest of Asia. The film will premiere at a future Tokyo festival.
Yet another is ‘The Spirit of Asia Award, »
- Mark Schilling
In Episode 6 of Talking Movies, Scott and I circle back to the 1920s to talk about the comedy stars of the silent era: Harold Lloyd, Buster Keaton, and Charlie Chaplin. We’ll look at three of their iconic movies–Safety Last! (1923), The General (1926), and City Lights (1931)–and discuss the production, daring stunts, and the lasting influence these movies had on future comics. Further, we’ll analyze the the unique personas of these legendary performers, both on and off screen. So for a crash course on silent comedy, tune in to Episode 6 of Talking Movies!
~ Talking Movies is a podcast series covering classic films from the 20th century. In this episode, our guest co-host is Scott Feinberg, the lead awards analyst for The Hollywood Reporter and the founder/editor-in-chief of ScottFeinberg.com.
Listen to the podcast…
- Scott Feinberg
By Mireille Latil-Le-Dantec. Originally published in Cinématographe, no. 35, February 1978 in an issue with a Chaplin dossier.
Translation by Ted Fendt. Thanks to Marie-Pierre Duhamel.
The Chaplinesque Quest
The overbearing weight of interpretative studies devoted to Chaplin makes any pretension to some "fresh look" at a universe already studied from every angle seem absurd from the outset. At least, on the occasion of the homages currently being made in theaters to the little man who would become so big, a few fragmentary re-viewings more modestly allow for the rediscovery of the thematic unity of this body of work and the inanity of any artificial divide between the "excellent" Charlie films and the "mediocre" Chaplin films – a divide corresponding, of course, to the event which his art was not supposed to have survived: the appearance of those talkies that – in the excellent company of Eisenstein, Pudovkin, René Clair and many others – he »
- Ted Fendt
Barnes & Noble has just kicked off their 50% off Criterion sale and while it's impossible to suggest titles that will suit everyone looking to beef up their collection at this perfect time of year, I will do my best to offer some suggestions. Let's get to it... My Absolute First Pick I am almost done going through this collection and it was a collection I got for Christmas under these exact circumstances. Typically priced at $224.99, you can now get this amazing set of 25 Zatoichi films for only $112. Box sets, in my opinion, are what sales like this were made for. Zatoichi: The Blind Swordsman Next Ten Recommendations It isn't easy so this is a collection of just some of my favorite films (of all-time and within the collection) and a little variety, though pretty much my standard, go to Criterion first picks, especially if you are just starting out. Persona Breathless »
- Brad Brevet
It seemed like almost as soon as I posted this latest "Guess the Movies" installment Andre Marques had all the answers. That said, he was the only one that guessed that got them all and so I have no problem saying I think this was the most difficult installment yet and you'd better believe the next one will be even more difficult, though I will post that one closer to the middle of the week rather than on a Friday so I can keep closer tabs on your progress and get involved a little bit more. So, with that I bring you all the answers to the graphic and I'd also like to give a shout out to One Perfect Shot as each screen capture was from recent posts on their site, a great place to keep an eye on once a month or so. Now, if you want to »
- Brad Brevet
After last night's final performances, Team Usher's Josh Kaufman was declared the winner of season 6 of The Voice, beating out Team Adam Levine's Christina Grimmie and Team Blake Shelton's Jake Worthington.
At the top of the show, Carson Daly announced that there was a glitch with the iTunes charts. Noticably missing from the Top 10 yesterday was Josh Kaufman’s cover of Adele’s “Set Fire to the Rain.” To ensure fairness, all of the iTunes downloads that were supposed to count as votes for the finalists were taken out of the final tally – meaning only online voting, calls, etc. counted as votes. According to Carson, taking the iTunes downloads out of the final tally did not affect the outcome. In other news, Adam publicly announced that he would sign Christina Grimmie to his record label after the show.
After a quick recap of Monday night’s final live performances, »
Clark Gregg may not be a household name now, but that will soon change. Undoubtedly best recognized as the loveable Agent Phil Coulson, Gregg has captured the hearts of comic book fans by perfectly personifying the character on the big screen in movies including The Avengers, Thor and Iron Man, as well as on the small screen in the Agents of S.H.I.E.L.D. television series. In retrospect, it could be said that making your name in such big blockbuster movies would pigeonhole an actor, but Trust Me is proof that such tried and true assumptions are always subject to exceptions.
The truth is, when you are as multi-talented as Clark Gregg, you become nearly impervious to the typical industry stereotypes. Trust Me is a film as fascinating behind the scenes as it is a fascinating story, but you can do your own Google search to read about the making of the film. »
- Travis Keune
Looking for any excuse, Landon Palmer and Scott Beggs are using the 2012 Sight & Sound poll results as a reason to take different angles on the best movies of all time. Every week, they’ll discuss another entry in the list, dissecting old favorites from odd angles, discovering movies they haven’t seen before and asking you to join in on the conversation. Of course it helps if you’ve seen the movie because there will be plenty of spoilers. This week, they revel in the unadulterated delight of City Lights and imagine it as an elderly film that still feels young at heart. In the #50 (tied) movie on the list, The Tramp (Charlie Chaplin) falls in love with a blind flower girl (Virginia Cherrill) and tries everything he can to earn money, even as life throws him repeatedly under the bus. But why is it one of the best movies of all time? Scott: »
- FSR Staff
In early 2001, Jonathan Glazer began planning his next film. The director was then 35, a wildly sought-after maker of music videos and adverts who had just released his first film, the singular gangster movie Sexy Beast. His next was to be an adaptation of Michel Faber's cult novel Under the Skin. The project ended up on ice. Work didn't start until 2004.
Ten years later, Under the Skin is finished, and Glazer is in a publicists' office in Soho, a well-preserved Londoner with a thicket of dark hair, tall enough to verge on the looming. Having spent almost all his 40s getting the film made, he must feel like a different man from the one who began it?
"Well. Hmm. I … God. That's a teaser." He stalls. »
- Danny Leigh
Amazon's Gold Box Deal of the Day is up to 53% Off Select Criterion Collection Titles including Frances Ha, Rififi, Nashville, City Lights, Repo Man, Seconds, and Zatoichi: The Blind Swordsman. Like all gold box deals, it's only good while supplies last or midnight tonight so don't wait. Here's the link: Gold Box Deal of the Day: Up to 53% Off Select Criterion Collection Titles [Note: Collider earns a small referral fee when our readers purchase something on Amazon through one of our links. The money generated helps pay our staff and keep the site running. Thank you for reading and supporting Collider.] »
- Steve 'Frosty' Weintraub
The studio previously worked with Kapoor and Warsi on legal satire Jolly Llb which was a sleeper hit in early 2013.
Guddu Rangeela, which also stars Amit Sadh and Aditi Rao Hydari, will be produced by Sangeeta Ahir of Mangal Murti Films. Production is scheduled to start in the north India locations of Shimla, Ludhiana and Chandigarh in March 2014, with release expected in the first quarter of 2015.
Vijay Singh, CEO of Fox Star Studios, said: “Jolly Llb, with Arshad and Subhash, was our first independent production and its critical and commercial success has reinforced the fact that our vision to create high-concept yet entertaining cinema has found resonance with the audiences worldwide.”
- firstname.lastname@example.org (Liz Shackleton)
Turner Classic Movies (TCM) will open the 2014 edition of the TCM Classic Film Festival with the world premiere of a brand new restoration of the beloved Rodgers & Hammerstein musical Oklahoma! (1955). TCM’s own Robert Osborne, who serves as official host for the festival, will introduce Oklahoma!, with the film’s star, Academy Award®-winner Shirley Jones, in attendance. Vanity Fair will also return for the fifth year as a festival partner and co-presenter of the opening night after-party. Marking its fifth year, the TCM Classic Film Festival will take place April 10-13, 2014, in Hollywood. The gathering will coincide withTCM’s 20th anniversary as a leading authority in classic film.
In addition, the festival has added several high-profile guests to this year’s lineup, including Oscar®-winning director William Friedkin, who will attend for the screening of the U.S. premiere restoration of his suspenseful cult classic Sorcerer (1977); Kim Novak, who »
- Melissa Thompson
Well, we’ve finally reached the summit: the 10 most definitive romantic comedies of all time. Unlike the other sections of this list, there is not a movie here that approaches “bad.” As always, some are better than others, despite the order. But one thing is for sure: if you plan to have a rom-com binge-a-thon soon, this is where you start, no questions asked. In fact, after reading this, you should go do that and report back.
courtesy of reverseshot.com
10. Some Like It Hot (1959)
What’s funnier than men dressing in drag? Depends on who you ask. It’s Billy Wilder again with a fictional story of two musicians – Joe (Tony Curtis) and Jerry (Jack Lemmon) – who witness the St. Valentine’s Day massacre in Chicago and leave town. But, since the mob has ties everywhere, they need to disguise themselves as best they can: as women in an »
- Joshua Gaul
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