A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor. Written by
John J. Magee <email@example.com>
One of Charles Chaplin's friends, the famous illustrator Ralph Barton, was on set one day during the filming of the scene where Charlie and the blind girl meet. These home movies, which appear in Unknown Chaplin (1983), and is the only known behind the scenes footage of Chaplin at work in costume as the tramp. See more »
When handcuffed to go to jail, the Tramp's left hand is cuffed, but when arriving at the jail, it is his right hand that is cuffed. See more »
You can't go wrong with Charlie Chaplin, but City Lights is even better than Chaplin's films usually are.
Chaplin takes himself a little more seriously in City Lights, and the results are spectacular. The musical score which Chaplin composed for the film was one of the many highlights, and even though Charlie's performance is much more dramatic than usual in some scenes, the hilarious comedy for which he is known and loved is still abundant.
City Lights is so well made that it is one of the very few movies in which the obvious flaws can be gladly overlooked. Yes, you can clearly see the string holding Chaplin up in the sidesplittingly funny boxing scene, but who cares? That is such classic slapstick that little things like that really don't matter. Besides, let's keep in mind that this movie was made seventy years ago.
Chaplin does a phenomenal job in his traditional role of the tramp, and develops a perfectly convincing romantic relationship with the blind flower girl on the sidewalk. His friendship with the drunken rich guy is hilarious, but it also makes a significant comment about the problems of alcohol. This is truly a great film, which should not be forgotten.
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