A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor. Written by
John J. Magee <email@example.com>
While his demand for perfection could sometimes ruffle feathers, there was no question that Charles Chaplin poured his heart and soul into the pantomime art that he deeply loved. The film's poignant final shot was one that he was particularly proud of, having put a great deal of work into it despite its deceptive simplicity. He felt "a beautiful sensation of not acting, of standing outside myself," he said. "The key was exactly right - slightly embarrassed, delighted about meeting her again - apologetic without getting emotional about it. He was watching and wondering without any effort. It's one of the purest inserts - I call them inserts, close-ups - that I've ever done." See more »
When handcuffed to go to jail, the Tramp's left hand is cuffed, but when arriving at the jail, it is his right hand that is cuffed. See more »
Once again Chaplin plays his famous creation, the beloved Tramp The noble Little Fellow meets and falls in love with a blind flower girl She assumes he is wealthy man and offers him a flower, which he attentively accepts with his last penny
One night by chance he rescues a drunken millionaire from drowning The rich gentleman becomes a generous friend when drunk but doesn't recognize the tramp when sober Chaplin takes the blind girl under his wing, and takes flight with the millionaire's money to cure her blindness
"City Lights" engaged a true genius in a graceful and touching performance which arouses profound feelings and joy with great simplicity of style and tragic tale Each scene was the result of hard-working detail and planning
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