A tramp falls in love with a beautiful blind girl. Her family is in financial trouble. The tramp's on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor. Written by
John J. Magee <email@example.com>
In terms of years, this film was Charles Chaplin's longest undertaking. It was in production for over three years, from 31 December 1927 to 22 January 1931, although he only shot for 180 days. See more »
In the boxing match when the tramp propels himself off the ropes (twice) at his opponent. You can clearly see the wire on the back of his trunks. See more »
This is my favorite Chaplin film, but I don't want that to diminish his other work, either. MODERN TIMES was an outstanding work of social satire, THE GOLD RUSH was great slapstick, and even the largely-neglected MONSIEUR VERDOUX strikes a certain unforgettable tone. Chaplin didn't make a bad movie, and I'm not even sure that CL is his best, exactly. But it IS my favorite, if only for the ending.
That ending has been the subject of much comment here. I think it's a masterpiece in a single scene. Chaplin's little tramp has never seemed less like a character and more like a living, breathing human being. It's a monument to understated sentimentality.
To me, the rest of the film exists largely to set the context for that one magnificent piece of celluloid. Yes, the boxing scene is great, and the scene where he rescues the millionaire is also wonderful, but it's that ending that makes us all love this movie.
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