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63 user 33 critic

Cimarron (1931)

Passed | | Drama, Western | 9 February 1931 (USA)
A newspaper editor settles in an Oklahoma boom town with his reluctant wife at the end of the nineteenth century.

Director:

(uncredited)

Writers:

(novel), (screen version) | 1 more credit »
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Won 3 Oscars. Another 2 wins & 4 nominations. See more awards »
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Cast

Complete credited cast:
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Jesse Rickey (as Rosco Ates)
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Louis Hefner
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Mrs. Tracy Wyatt
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Donna Cravat (as Nancy Dover)
Eugene Jackson ...
Isaiah
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Storyline

When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right. Written by George S. Davis <mgeorges@prodigy.net>

Plot Summary | Plot Synopsis

Taglines:

Earth-shaking in its grandeur! A titanic canvas sprung to life! See more »

Genres:

Drama | Western

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 February 1931 (USA)  »

Also Known As:

Cimarrón  »

Box Office

Budget:

$1,433,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

Yancey Cravat, the character played by Richard Dix, was based on real-life lawyer and gunfighter Temple Houston - the son of Sam Houston, whom Dix played in Man of Conquest (1939) and upon whom the 1960s western TV series Temple Houston (1963) was based. See more »

Goofs

Mr. Levy says "Moses wrote the Ten Commandments". In fact according to the bible Moses brought down the Ten Commandments that had been written in stone by God. See more »

Quotes

Yancy Cravat: Sugar, if we all took root and squatted, there would never be any new country.
See more »

Connections

Featured in 100 Years at the Movies (1994) See more »

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User Reviews

 
thoughtful and lavishly produced western
4 July 2008 | by (United States) – See all my reviews

"Sprawling" is the adjective most often associated with novels and movies-from-novels by Edna Ferber. Her stories span geographical locations, family generations and economic strata, usually with a strong female at the center. In the case of CIMARRON it's the story of how Oklahoma became a state seen through the life of Sabra Cravat (Irene Dunne), demure wife of gun-totin' macho dude Yancey Cravat (Richard Dix). It's a fascinating and not pleasant relationship: He always hankering for another risky adventure and she wanting to settle down and be respectable. He is also politically minded, a fighter for the underdog, defender of the prostitute ("victim of the social order") and the Indians (robbed of their land and cheated thereafter), dispenser of frontier justice against the bad guys (but only when provoked to the limit) and literate to boot (frequently quoting Shakespeare, Milton and the Bible). The film is splendidly produced with well staged action sequences (particularly the opening Oklahoma land rush which puts even DeMille's exodus to the Red Sea to shame) and realistic recreation of a filthy, crowded, violent and anarchic boom town which gradually gentrifies as the decades pass. Interiors are similarly authentic. Wesley Ruggles directs multiple crowd scenes with great mastery. And the whole film is structured in fully realized episodes beginning with a title card and a year (1889 to start, 1930 to finish) and ending with a close up on the character at hand as the screen slowly fades to black. The Dix character is heroic in the old style and though many modern viewers find his acting preposterous, I disagree. I think he is the perfect actor for the character he is playing. Yes, such a person would definitely be out of place in today's urban world, but so what? We aren't watching a contemporary story anyway. The supporting cast, particularly George E. Stone as a Jewish peddler who is defended against ruffians by Dix, Edna May Oliver as the pushy, judgmental neighbor and Stanley Fields as a grizzled sociopath are my favorites.

Ferber's feelings about intolerance always informed her stories and make us think. Seeing a film like this 78 years after it was made also reminds us that although the US has come a long way, the consciousness that all was not well was firmly operating even back then and available for wide public consumption. CIMARRON works as pure entertainment as well as history; in fact the film and novel themselves are now history and have been folded into the larger history of this country.

The only problem technically is the soundtrack which has become fuzzy. Maybe a pristine print is lurking around somewhere. And the supporting character of a black house servant played by Eugene Jackson will raise PC hackles from the early scene in which he is perched on a platform above the family dinner table fanning the white employers with bird feathers through one degrading interaction after another with whites. But this film was made in the age when most black actors (and black people) played servile or childlike roles, so it is not a surprise to see the practice here.


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