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Cimarron (1931)

Passed  -  Drama | Western  -  9 February 1931 (USA)
6.0
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Ratings: 6.0/10 from 2,753 users  
Reviews: 55 user | 32 critic

A newspaper editor settles in an Oklahoma boom town with his reluctant wife at the end of the nineteenth century.

Director:

(uncredited)

Writers:

(novel), (screen version), 2 more credits »
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Title: Cimarron (1931)

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Won 3 Oscars. Another 2 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Nance O'Neil ...
William Collier Jr. ...
Roscoe Ates ...
Jesse Rickey (as Rosco Ates)
...
Stanley Fields ...
Lon Yountis
Robert McWade ...
Louis Hefner
Edna May Oliver ...
Mrs. Tracy Wyatt
Judith Barrett ...
Donna Cravat (as Nancy Dover)
Eugene Jackson ...
Isaiah
Rest of cast listed alphabetically:
Billy Mellman
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Storyline

When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right. Written by George S. Davis <mgeorges@prodigy.net>

Plot Summary | Plot Synopsis

Taglines:

Terrific As All Creation See more »

Genres:

Drama | Western

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 February 1931 (USA)  »

Also Known As:

Cimarrón  »

Box Office

Budget:

$1,433,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

The land rush scene took a week to film, using 5,000 extras, 28 cameramen, 6 still photographers and 27 camera assistants. See more »

Goofs

During the period of the film set in 1907, Yancey is the Progressive Party's candidate for governor of Oklahoma. The Progressive Party did not form until 1912, and then disbanded after Theodore Roosevelt's unsuccessful third party candidacy that year. See more »

Quotes

Yancy Cravat: Why, it'll be all over the southwest that Yancy Cravat was hiding behind a woman's petticoat!
Sabra Cravat: But you didn't! They can't say so! You shot him there nicely in the ear, darling.
Yancy Cravat: Well, you shouldn't interfere when men are having a little friendly shootin'.
See more »

Connections

Referenced in Ashoka the Great (2001) See more »

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User Reviews

 
thoughtful and lavishly produced western
4 July 2008 | by (United States) – See all my reviews

"Sprawling" is the adjective most often associated with novels and movies-from-novels by Edna Ferber. Her stories span geographical locations, family generations and economic strata, usually with a strong female at the center. In the case of CIMARRON it's the story of how Oklahoma became a state seen through the life of Sabra Cravat (Irene Dunne), demure wife of gun-totin' macho dude Yancey Cravat (Richard Dix). It's a fascinating and not pleasant relationship: He always hankering for another risky adventure and she wanting to settle down and be respectable. He is also politically minded, a fighter for the underdog, defender of the prostitute ("victim of the social order") and the Indians (robbed of their land and cheated thereafter), dispenser of frontier justice against the bad guys (but only when provoked to the limit) and literate to boot (frequently quoting Shakespeare, Milton and the Bible). The film is splendidly produced with well staged action sequences (particularly the opening Oklahoma land rush which puts even DeMille's exodus to the Red Sea to shame) and realistic recreation of a filthy, crowded, violent and anarchic boom town which gradually gentrifies as the decades pass. Interiors are similarly authentic. Wesley Ruggles directs multiple crowd scenes with great mastery. And the whole film is structured in fully realized episodes beginning with a title card and a year (1889 to start, 1930 to finish) and ending with a close up on the character at hand as the screen slowly fades to black. The Dix character is heroic in the old style and though many modern viewers find his acting preposterous, I disagree. I think he is the perfect actor for the character he is playing. Yes, such a person would definitely be out of place in today's urban world, but so what? We aren't watching a contemporary story anyway. The supporting cast, particularly George E. Stone as a Jewish peddler who is defended against ruffians by Dix, Edna May Oliver as the pushy, judgmental neighbor and Stanley Fields as a grizzled sociopath are my favorites.

Ferber's feelings about intolerance always informed her stories and make us think. Seeing a film like this 78 years after it was made also reminds us that although the US has come a long way, the consciousness that all was not well was firmly operating even back then and available for wide public consumption. CIMARRON works as pure entertainment as well as history; in fact the film and novel themselves are now history and have been folded into the larger history of this country.

The only problem technically is the soundtrack which has become fuzzy. Maybe a pristine print is lurking around somewhere. And the supporting character of a black house servant played by Eugene Jackson will raise PC hackles from the early scene in which he is perched on a platform above the family dinner table fanning the white employers with bird feathers through one degrading interaction after another with whites. But this film was made in the age when most black actors (and black people) played servile or childlike roles, so it is not a surprise to see the practice here.


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