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La Chienne (1931)
"La chienne" (original title)

 |  Drama  |  30 April 1976 (USA)
7.7
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Ratings: 7.7/10 from 2,017 users  
Reviews: 10 user | 19 critic

Cashier Maurice Legrand is married to Adele, a terror. By chance, he meets Lucienne, "Lulu", and makes her his mistress. He thinks he finally met love, but Lulu is nothing but a ... See full summary »

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Title: La Chienne (1931)

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Cast

Cast overview, first billed only:
...
Janie Marèse ...
Lucienne 'Lulu' Pelletier (as Janie Marèze)
...
Andre 'Dédé' Govain
Magdeleine Bérubet ...
Adèle Legrand
Roger Gaillard ...
Alexis Godard (as Gaillard)
Jean Gehret ...
Dugodet
Alexandre Rignault ...
Langelard
Lucien Mancini ...
Wallstein (as Mancini)
Marcel Courmes ...
Colonel
Max Dalban ...
Bonnard
...
Amedée
Romain Bouquet ...
Henriot
Pierre Desty ...
Gustave
Jane Pierson ...
Concierge
Christian Argentin ...
Examining judge (as Argentin)
Edit

Storyline

Cashier Maurice Legrand is married to Adele, a terror. By chance, he meets Lucienne, "Lulu", and makes her his mistress. He thinks he finally met love, but Lulu is nothing but a streetwalker, in love with Dede, her pimp. She only accepts Legrand to satisfy Dede's needs of money. Written by Yepok

Plot Summary | Add Synopsis

Plot Keywords:

love | pimp | money | mistress | cashier | See All (158) »

Genres:

Drama

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Details

Country:

Language:

Release Date:

30 April 1976 (USA)  »

Also Known As:

La Chienne  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

In order to change her own "over-refined" accent into that of a low class girl, Renoir made Marese imitate Maurice Chevalier. See more »

Goofs

When Lulu reads her books, she is on the left side of the bed (1:06:16). But when Maurice sits down, she jumps to the right side in the next shot. See more »

Connections

Remade as Scarlet Street (1945) See more »

Soundtracks

Marlborough s'en va-t'en guerre
By Fernando Sor (uncredited)
See more »

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User Reviews

 
Jean Renoir examines the tragedy and comedy of life and creates a masterpiece
19 May 2005 | by See all my reviews

I do not know what else to add to the previous two reviews before mine. The movie begins as two puppets argue about the theme of the movie we are about to see. One swears it is a comedy. The other avers that it be a tragedy. Both are slapped out of the way by another who says it is neither. Let us be the judge. The tale of a sad sack bank employee who sweats his whole life in a job he hates and falls for a low-life woman has similarities to the Dietrich classic Blue Angel but this movie has bigger themes and issues on its mind. His hilarious deduction and situational comedy as the man tries to outwit his way out of his marriage and the calamity that befalls him diagnoses the gray line that is life. And the bitter sweet ending endorses that in life, we may not get what we want but we might revel in what we need; and true happiness is a figment of mere necessity. A wonderful movie that must be seem. P.S. For those who appreciate the art of movies, you cannot but marvel at the directional technique of Renoir. The man understands cinema. His transitional shots are sublime and ridiculous in a good way propelling the movie along. And a murder scene is so effectively staged, it reminds that it might have been executed by Hitchcock himself. Long live great cinema and great directors who enrich our empathy for it!!!


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