| Tallulah Bankhead | ... | Elsa Carlyle | |
| Harvey Stephens | ... | Jeffrey Carlyle | |
| Irving Pichel | ... | Hardy Livingstone | |
| Jay Fassett | ... | Terrell | |
| Ann Andrews | ... | Mrs. Albright | |
| William Ingersoll | ... | Croupier | |
| Hanaki Yoshiwara | ... | Japanese Servant | |
| Willard Dashiell | ... | Judge | |
| Edward Keane | ... | Defense Attorney | |
| Robert Strange | ... | District Attorney | |
| rest of cast listed alphabetically: | |||
| Jimmy Granato | ... | Orchestra Musician (uncredited) | |
| Porter Hall | ... | Leslie (uncredited) | |
| Arthur Hohl | ... | Defense Attorney (uncredited) | |
| Millard Mitchell | ... | Courtroom Spectator (uncredited) | |
| Henry Warwick | ... | Butler (uncredited) | |
Directed by | |||
| George Abbott | |||
Writing credits(in alphabetical order) | ||
| Harry Hervey | ||
| Hector Turnbull | silent film script | |
Cinematography by | |||
| George J. Folsey | (as George Folsey) | ||
Film Editing by | |||
| Emma Hill | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Frank Heath | .... | assistant director (uncredited) | |
| Fred Scheld | .... | assistant director (uncredited) | |
Sound Department | |||
| Ernest Zatorsky | .... | sound recording engineer (uncredited) | |
Camera and Electrical Department | |||
| Edward Hyland | .... | assistant camera (uncredited) | |
| Joseph Ruttenberg | .... | second camera operator (uncredited) | |
| Charles Salerno Jr. | .... | assistant camera (uncredited) | |
| Frank Serjack | .... | still photographer (uncredited) | |
Other crew | |||
| Ruth St. Denis | .... | choreographer (uncredited) | |
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| Body Heat | Original Sin | Eyes Wide Shut | The Cincinnati Kid | The Cheat |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Two people who did little work on the big screen and were primarily stage folks, director George Abbott and actress Tallulah Bankhead collaborated on this remake of Cecil B. DeMille's silent classic, The Cheat. It was so watered down that it could have been called The Occasionally Indiscreet.
Tallulah is married to Harvey Stephens and they're both of the upper classes and enjoy the privileges therein. It's Stephens who makes the money and Tallulah who spends it.
She loses a fortune in 1930s worth of $10,000.00 at the gaming tables. She's not able to go to her husband, the money to pay the debt comes from the wealthy Irving Pichel. And he wants to collect the debt in his own way, the same kind of indecent proposal that Robert Redford had in mind in that film.
Half of the drama of The Cheat is lost when we lose the racial component of the original DeMille film. Fannie Ward and Sessue Hayakawa played the roles that Bankhead and Pichel play here and back in the days of miscegenation laws the idea of a wealthy white woman becoming the bought for mistress of an Oriental merchant was shocking indeed in 1915. As a result this film is dependent on the skills of its players, especially Tallulah Bankhead who was certainly one unique personality.
Although Bette Davis was great and The Little Foxes is one of her top five performances in my humble opinion Tallulah who created the role of Regina Hubbard Giddens on stage would have really been special. That and so many other Bankhead performances were lost. If you want to see her at her best make sure to see Alfred Hitchcock's Lifeboat.
This sound version of The Cheat is all right, but nothing special.