Love, lust, possession, money, social standing, and addiction. Elsa Carlyle is impulsive and a gambler; though loved by her husband Jeff, she's spoiled and selfish, concerned with social ... See full summary »
Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit ... See full summary »
Cecil B. DeMille
A nightclub singer marries the rich owner of a rubber plantation. When she returns with him to his estate in Malaysia, she finds out that he is cruel, vicious and insanely jealous. She and ... See full summary »
Love, lust, possession, money, social standing, and addiction. Elsa Carlyle is impulsive and a gambler; though loved by her husband Jeff, she's spoiled and selfish, concerned with social standing. Meanwhile, Jeff wants to keep a lid on spending while he completes business deals that could make them rich. One night, on a hunch, she bets and loses big at a casino, then she doubles her problems with more impulsive decisions. Hardy Livingston, a wealthy Casanova just back from the Orient, makes a play for her. Elsa dallies with Hardy, but soon, his insistence and her dire financial affairs seem destined to lead to adultery. Who's the cheat? Written by
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
I love you. I didn't marry you because I thought you could spell or add, but because of who you are.
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I found this film quite absorbing with a showy performance by Bankhead. She plays the "out-of-control" wife of a loving and up-standing young man (Harvey Stephens). Her gambling debts get her in hock with an untrustworthy admirer (Irving Pichel). Pichel's penchant for the more bizarre aspects of Oriental culture colors his and Tallulah's relationship into multiple arms of scandal. There is a great climax court room scene wherein Bankhead hams it up wonderfully. I'll say nothing more than that "sizzling flesh" is involved here. It must be seen to be believed. The photography and direction is nicely done and for a 1931 film everything moves along quite admirably.
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