In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's ... See full summary »
Daniel L. Haynes,
Nina Mae McKinney,
Dink Purcell loves his alcoholic father, ex-heavyweight champion Andy "Champ" Purcell, despite his frequent binges, his frequent gambling and their squalid living conditions. And there's nothing Andy wouldn't do for Dink. When Andy wins a race horse gambling, he gives it to Dink and they race it at a Tijuana track. There, Dink meets Linda Carleton, a race horse owner herself, and they have an immediate rapport. But Linda's rich husband sees Andy and realizes Dink is Linda's son, who she gave up when she and Andy divorced. Andy is bribed $200 to allow Dink to visit with Linda, but refuses to allow Dink to spend six months with the Carletons. When Andy loses the horse gambling and winds up in jail after a drunken tirade, he realizes Dink's place is with his mother. Dink tearfully goes but sneaks out and returns at his first opportunity, filling a depressed Andy with a desire to make good. So Andy goes into training after his managers arrange a boxing match with the Mexican champion. Written by
Arthur Hausner <email@example.com>
The film did fine at its first preview until the last reel. As originally written, Champ loses his comeback boxing match, then dies as his son weeps. After going along with the sentimental story until that moment, audiences felt cheated by the downbeat ending. As a result, production chief Irving Thalberg ordered the final scene reshot so that Champ won the match. At the next preview, the audience cheered at the end. See more »
From 4:36 to 4:43, camera shadow in the tracking shot. See more »
[Dink compares the swanky home to his own]
The Champ and I ain't fixed up swell as this, but our joint's more lively.
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Beery not bad, Cooper excellent, Irene Rich terrible
I've just finished watching this film, which I've been wanting to see for years and I was impressed without being overwhelmed. Wallace Beery's not bad (though a bit stilted) in the leading role; he's better than Irene Rich, playing his ex-wife, who throws herself around the screen, swooning from sofa to sofa in a totally over-acted performance. However, it's Jackie Cooper who steals the show with a portrayal which manages to be both heart-rending and realistic. I know the concept of "real sound" is a disputable one, as sounding real on screen may just entail being a good actor, rather than a realistic one, but nonetheless he does seem far more genuine than the rest of the cast. 8/10.
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