Dink Purcell loves his alcoholic father, ex-heavyweight champion Andy "Champ" Purcell, despite his frequent binges, his frequent gambling and their squalid living conditions. And there's ... See full summary »
Dink Purcell loves his alcoholic father, ex-heavyweight champion Andy "Champ" Purcell, despite his frequent binges, his frequent gambling and their squalid living conditions. And there's nothing Andy wouldn't do for Dink. When Andy wins a race horse gambling, he gives it to Dink and they race it at a Tijuana track. There, Dink meets Linda Carleton, a race horse owner herself, and they have an immediate rapport. But Linda's rich husband sees Andy and realizes Dink is Linda's son, who she gave up when she and Andy divorced. Andy is bribed $200 to allow Dink to visit with Linda, but refuses to allow Dink to spend six months with the Carletons. When Andy loses the horse gambling and winds up in jail after a drunken tirade, he realizes Dink's place is with his mother. Dink tearfully goes but sneaks out and returns at his first opportunity, filling a depressed Andy with a desire to make good. So Andy goes into training after his managers arrange a boxing match with the Mexican champion. Written by
Arthur Hausner <firstname.lastname@example.org>
Although the AFI Catalogue specifies the world premiere was in Hollywood (at Grauman's Chinese Theater) on 13 November 1931, the New York Times review of 10 November 1931 says "last night [it] succeeded in stirring the emotions of an audience in the Astor..." Since the review concludes that the film is AT THE ASTOR, it seems likely that it was ready for public viewing immediately. The AFI Catalogue world premiere statement is probably wrong, and that it was just a Hollywood premiere. See more »
When the Champ Andy Purcell punches the wall in the locker room, the wall has blood on it before Andy strikes it, and the bloody area gets larger as Andy continues punching and his own fist gets bloody. See more »
[Dink compares the swanky home to his own]
The Champ and I ain't fixed up swell as this, but our joint's more lively.
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I had seen the 1979 remake starring Jon Voigt and Faye Dunaway (the female part was much more important ) and I was not that impressed.Jon Voigt was too good-looking and too handsome to portray the champ successfully.The original really blew my mind:the Wallace Beery /Jackie Cooper team was a winning one and it's one of the best pairings man/boy in the history of cinema ,with echoes of Charlie Chaplin's "the kid" .Although the movie takes place in the prizefighters milieu,the plot is pure melodrama ,mainly aimed at the female audience .The reactionary side of the melodrama -the posh lady horrified at the people around her boy, a "normal" wealthy family is the safe way to happiness,etc- is present but emotion survives the tear-jerker side .And I dare you not to shed a tear when the boy screams "I want the champ!".
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