An extremely large Old King Cole sings his story. His "fiddlers three" turn out to be the Three Blind Mice. And his book is Mother Goose, which illustrates Little Miss Muffett, Jack and ... See full summary »
The emperor's musicians play their instruments (and a stray cat) while the ladies of the court dance. Meanwhile, the children fish and play. But soon, the children anger the emperor, who ... See full summary »
A hen has taken up residence in Pluto's doghouse and laid her eggs. She steps out; Pluto comes home and the eggs all hatch, and the chicks take Pluto for mommy and won't let go. Then a ... See full summary »
The mythological satyr plays some tunes on his pipes and gets various flora and fauna dancing to them. Two clouds also dance; they bump into each other, causing lightning strikes that start... See full summary »
Noah, his family (wife, 3 sons, their wives), and various animals all help build the ark. The rains come, and the skunks barely miss the boat (not that anyone was particularly looking for ... See full summary »
Toiling together, THE BUSY BEAVERS have devised many ingenious ways to complete their dam. After retiring to their lodges, a mighty flood threatens to wipe out all their hard work. Only one lone beaver has the energy to save the day...
This black & white entry in the series is an exercise in dealing with the movement of light & dark forms; action & reaction.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
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