Jack's father is sending Jack away to keep him from the gambling, booze, girls and late nights. He has Ossie go as Jack's companion, not knowing that Ossie does the same things as Jack. ... See full summary »
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Jack's father is sending Jack away to keep him from the gambling, booze, girls and late nights. He has Ossie go as Jack's companion, not knowing that Ossie does the same things as Jack. They decide to go to California and the trip is long as Jack stops for every girl he sees. In a restaurant in the southwest, they meet Poncho. It seems that every time Ossie sees Pancho, he does something that almost gets him into a fight. When they get to Pasadena, the boys meet Connie and Penny and Aunt Polly. After a few days, Jack proposes and Connie accepts. However, that is that day that Mabel, Jacks jilted fiancée from New York, shows up. Written by
Tony Fontana <email@example.com>
In September 1928, Warner Bros. Pictures purchased a majority interest in First National Pictures and from that point on, all "First National" productions were actually made under Warner Bros. control, even though the two companies continued to retain separate identities until the mid-1930's, after which time "A Warner Bros.-First National Picture" was often used. See more »
[Pancho and Ossie are in a heated argument]
If I were not in a hurry, I would wait outside!
I wouldn't wait.
See more »
The normally likable Joe E. Brown is trapped here in an extremely unfunny comedy with an extremely poor script. Missing is his usual screen persona of a brash, cocky naif and is seen here as just a dimwit. The screenplay is surprisingly awful and seems ad-libbed in places. Vaudeville was still alive but I have to think it was funnier than the lame jokes contained in this picture, many of which fall completely flat. Hard to believe Mervyn Leroy directed this mess.
Trapped in this movie is some pretty good acting talent, especially Thelma Todd who was a foil in some Marx Bros. pictures as well as some Laurel and Hardys. Also on hand is Bela Lugosi as a South American playboy. It's hard to tell if comedy was his oeuvre because, as mentioned, there is very little humor here. Give him an A for effort.
Not much to recommend this film except for Bela Lugosi and hard-core Joe E. Brown fans.
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