Jack's father is sending Jack away to keep him from the gambling, booze, girls and late nights. He has Ossie go as Jack's companion, not knowing that Ossie does the same things as Jack. ...
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Jack's father is sending Jack away to keep him from the gambling, booze, girls and late nights. He has Ossie go as Jack's companion, not knowing that Ossie does the same things as Jack. They decide to go to California and the trip is long as Jack stops for every girl he sees. In a restaurant in the southwest, they meet Poncho. It seems that every time Ossie sees Pancho, he does something that almost gets him into a fight. When they get to Pasadena, the boys meet Connie and Penny and Aunt Polly. After a few days, Jack proposes and Connie accepts. However, that is that day that Mabel, Jacks jilted fiancée from New York, shows up. Written by
Tony Fontana <firstname.lastname@example.org>
In September 1928, Warner Bros. Pictures purchased a majority interest in First National Pictures and from that point on, all "First National" productions were actually made under Warner Bros. control, even though the two companies continued to retain separate identities until the mid-1930's, after which time "A Warner Bros.-First National Picture" was often used. See more »
[Ossie and Jack are in a diner getting breakfast, and after the waitress brings them their food, Ossie knocks the salt shaker over, spilling the salt]
Oops. Spilled the salt.
[Ossie starts pouring the salt over his left shoulder, dumping it on Pancho, who is sitting right next to him]
[Pancho points to the salt on his shoulder]
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Walkin' My Baby Back Home
Music by Fred E. Ahlert
Played as dance music at the club See more »
Pretty good comedy about a playboy (William Collier, Jr.) whose father grows tired of his constant woman-chasing so he sends him out west with his cousin (Joe E. Brown), which turns out to be a major mistake. Out west the playboy strikes up a relationship with a woman who he plans to marry if they can stay away from a crazed South American (Bela Lugosi) that they keep running into. At 73-minutes the plot doesn't really carry even that short running time but there are enough good things here to make this worth sitting through at least once. Brown gets top-billing but the picture actually belongs to Collier with the big-mouthed comedian playing more of a supporting role. Brown certainly eats up each scene that he's in and actually manages to turn in some very funny moments including one where he spoofs Jekyll and Hyde and another sequence where he talks about how he almost beat up a South American only he doesn't realize the guy is sitting and hearing everything he's saying. Marjorie White and Margaret Livingston add nice supporting performances as does Thelma Todd who plays a friend of the boy's who ends up getting them into more trouble. I didn't care too much for Collier and in fact thought he dragged the film down a bit as he was a bit too stiff in the role and really didn't add any laughs. The highlight of the film is without question Lugosi who easily steals the film with his hilarious performance. I've often wondered what would have happened had the actor never appeared in Dracula and got type cast in horror roles. Many of his early films show he had some nice talent that studios could have worked with and he shows that off here. He mainly plays a guy whose job is to scare Brown by screaming and raving but Lugosi is so good that you'll have a laugh riot just watching him. The strawberry shortcake scene is a minor classic as is the scene that follows during the car wreck. The screenplay has several weak spots but I guess that's to be expected as the film certainly goes for many laughs but in the end it only gets about half of them. I doubt those who hate older movies are going to change their opinion by watching this but this remains a must-see for fans of Lugosi and of course Brown fans will want to check it out.
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